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5 creators filed under C

Carr, Zack

Zack Carr papers

1969-2001, 6.8 linear ft
After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most significantly, Calvin Klein, where he was creative director. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of material produced and compiled between 1969 and 2000, and include idea books, photographs, news clippings, student work, and a large number of fashion sketches.

Carreon, Robert

Robert Carreon student work

1966-1969, 3 linear ft
Robert Carreon produced the drawings in this collection as part of his coursework at Parsons School of Design from 1966 until 1968, with the exception of eight drawings from his admissions portfolio and a drawing of a dress and cape that Carreon created for his sister's winter wedding while he was enrolled at Parsons. According to Carreon, student assignments followed a structured workflow: fashion design students maintained a sketchbook (not included in the collection), which they periodically reviewed with the head of the Fashion Design Department, Ann Keagy. She would select ideas from the sketchbook for students to further develop into more formal drawings, which she would also critique. These drawings form the bulk of this collection. Some of Carreon's drawings bear her annotations. Designs that passed this second critique would become renderings that designer critics reviewed with the students. Students were encouraged to experiment with different techniques, a practice evident in Carreon's drawings. He struggled with rendering the human face, and adopted a method of drawing the human figure to compensate for this. Drawings in the collection are typically executed in pencil and gouache, although there are some examples of drawings rendered only in ink to emphasize construction. Carreon annotated the drawings to indicate fabrics used and the collection or assignment. In many cases, manufacturers provided the fabrics and professors issued prompts based on the availability of a type of fabric or fur. Carreon signed his work "Rob" until his third year, in which he switched to "Robert." This was used to roughly date his work when no date is inscribed on a drawing. Additionally, he dropped the hemlines of the dresses and skirts he designed during his third year in a class with critic Chester Weinberg, and this development was also used to establish rough dates for the drawings. In addition to original drawings, the collection contains publicity materials featuring Carreon's work while he was a student.

Cassels, Mariette

Mariette Cassels student notebooks

probably 1930-1931, 0.8 linear ft
The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.
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Chase, William Merritt

William Merritt Chase etchings: "Keying Up--the Court Jester" (1879) and "Spanish Peasant" (circa 1881)

1879, circa 1881, 2 etchings
The collection consists of two etchings by William Merritt Chase: "Keying Up--the Court Jester" (1879). 6 3/4 x 4 1/2 inches. "Spanish Peasant" (circa 1881). 5 1/2 x 3 inches.

Chermayeff, Ivan

Ivan Chermayeff graphic design work

1950-1987, 0.2 linear ft
The collection consists of a print for Chermayeff's mural, "Painting by Computer"; an issue of the Harvard Advocate with cover and illustrations by Chermayeff; and two posters.
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