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Archives & Special Collections

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by Creator

185 creators

Abel, Reuben

Reuben Abel papers

1927-1995, 2.2 linear ft
These papers document the academic career of Reuben Abel (1911-1997), beginning with his education as an undergraduate student at Columbia College and doctoral philosophy student in the Graduate Faculty of the New School for Social Research, and continuing throughout his professorship at the university. It includes course notes and syllabi from his academic work, and correspondence and other material documenting his student activities, such as his role as founder and editor of the New School student magazine, 12th Street: A Quarterly, and later his membership in the Alumni Association. Abel's papers reflect his position within the Graduate Faculty, consisting of correspondence with colleagues and deans, appointment letters, faculty minutes, and committee documents; in addition to his role as instructor and advisor to students, consisting of lecture notes, thesis committee work and doctoral exam requirement reviews. Affiliations as a scholar found in his papers include the Conference on Methods in Philosophy and Sciences and the American Society for Aesthetics. Contains one annotated typscript of his work,Man Is the Measure.

Adri

Adri fashion design business records

1967-2007, 13.2 linear ft
Mary Adrienne Steckling Coen (1934-2006) graduated from Parsons School of Design's Fashion Design Department in 1958. In 1966, "Adri" -- her professional name -- developed her own line and continued designing under her own labels for the rest of her career. In 1982, Adri received the prestigious Coty American Fashion Critics "Winnie" award. The records document Adri's business and professional life, with materials largely arranged according to year and season. Includes clippings and tear sheets, photographic materials, press kits, presentation portfolios, sketches, swatches, and video recordings.

Amos Parrish and Company, New York

Amos Parrish fashion merchandising clinic workbook

1930, 0.2 linear ft
The workbook that comprises this collection was used during the Amos Parrish Fashion Merchandising Clinic, held in New York City, January 6-10, 1930. Parrish's clinic was offered once and sometimes twice annually from the 1920s through 1955 to forecast the year's trends for the fashion industry. This workbook belonged to Howard Phillips, merchandise manager for the Ernst Kern Department Store, Detroit, Michigan, and was heavily annotated by Phillips during his week at Parrish's clinic.
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André and Creators Studios

André and Creators Studios fashion drawings

1937-1972, 8.8 linear ft
André and Creators Studios were Seventh Avenue fashion businesses that marketed their designs to clothing manufacturers by subscription. In the mid-1970s Pearl Alexander Lipman, André's co-owner and designer since the 1930s, retired, and the company's design drawings were sold to Creators Studios. The collection consists of reproductions of designs -- some vibrantly hand-colored -- produced and distributed by the two companies between 1937 and 1972.

Antonucci, Emil

Emil Antonucci graphic design papers

1950-2004, 40 linear ft
Emil Antonucci (1929-2006) was a New York-based artist, graphic artist, book designer, illustrator, publisher, and teacher. This collection contains artwork and design project materials in a variety of mediums pertaining to his freelance design and artistic career. Dating from the 1950s through the 2000s, materials in the collection include original artwork; graphic design proofs and layouts; book and magazine interiors, illustrations, mechanicals, and Antonucci's writings. Included in this collection are items relating to the poetry of Robert Lax, whose poetry Antonucci published on his letterpresses, The Hand Press and Journeyman Press. Finally, a number of audio recordings of Antonucci's sound art and Lax's poetry readings are contained herein.

Arendt, Hannah

Hannah Arendt correspondence with students

1966-1975, 0.75 linear ft
Hannah Arendt was University Professor in Philosophy from 1967-1975 in the New School's Graduate Faculty (later, New School for Social Research). These records stem from her work as professor and advisor to students, and her involvement with the Tenure Committee. Student files consist of transcripts, writing samples, resumes, referral requests, grant applications and correspondence, among other documents involved in graduate student admissions. Some files are restricted. Please email archivist@newschool.edu for details.
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Arje, Dan

Dan Arje papers

1949-1981, 3.4 linear ft
Dan Arje (1923-1993) was a designer and display director for Bonwit Teller. The collection is primarily comprised of albums containing photographs and news clippings about Arje's displays, as well as correspondence regarding his decorating work for the White House during the Kennedy and Johnson administrations, including the decoration of the White House Christmas tree. Also present are materials Arje collected about Bonwit Teller and Tiffany's designer Gene Moore.

Austill, Allen

Allen Austill records

1957-1989, 3 linear feet
Allen Austill (1927-2016) joined the New School in 1962. In 1965 he was appointed dean of the Adult Division and remained in this position for most of his career at the institution. In 1987, he was named chancellor of the university and held this position until 1989, when he retired. The Allen Austill records are a small but significant set of materials largely relating to Austill's participation at the New School in activities that fell outside of his primary role as dean of the Adult Division, including new program initiatives and the administration of Parsons School of Design in the decade after it became part of the New School. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Baker, Harry B.

Harry B. Baker papers

1891-1946, 1.9 linear ft
Harry B. Baker (1868-1941) was an illustrator who taught at the New York and Paris branches of the New York School of Fine and Applied Art (which became Parsons School of Design) in the early 20th century. Before moving to New York, Baker traveled around the American West. He illustrated bar fights, cowboys, Native Americans, and street scenes. The collection includes photographs of Baker and his students, a letter from Frank Alvah Parsons, identity cards and papers, and illustrations by Baker, including one for the cover of Western Story magazine.
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Bannerman, Jane

Jane Bannerman art and design work

circa 1927-circa 1990, undated, 2.5 linear ft
Jane Campbell Bannerman studied graphic design and illustration at the New York School of Fine and Applied Art (now Parsons School of Design), graduating in 1930. She worked for several New York-based firms, including McMillen, Inc., as a graphic and interior designer, and later opened her own textile design and interior decorating business. The collection primarily consists of student work, commercial design work, and travel watercolors, as well as clippings, photographs, and printed materials.

Barrows, Stanley

Stanley Barrows papers

circa 1934-1993, 1.8 linear ft
Stanley Barrows (1914-1995) graduated from Parsons School of Design in 1940 and taught interior design at the school for over twenty years, becoming mentor to several generations of notable designers. The collection includes examples of student work compiled by Barrows, course outlines, class travel itineraries, reference photographs of Italian decorative styles, biographical material, and correspondence from Barrows related to his activities as a designer and teacher.

Benardete, Seth

Seth Benardete papers

1966-2001, 8.5 linear ft
The Seth Benardete Papers consist of the original contents of the classics scholar and philosopher's files from his office at New York University, where he taught for 35 years. The files document Benardete's teaching at The New School, NYU, and CUNY and scholarship, course materials; lecture notes and transcripts; typescripts; correspondence; publications; and more--totalling around 15,000 manuscript pages. Many of these files are now available electronically.
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Bernard Design International

Bernard Design International renderings

1960s-1980s, 3.2 linear ft
In 1960, Bess Bernard established her own company, Bernard Design International, Ltd., specializing in interior design projects for commercial and residential spaces. The collection (1960s-1980s) consists of forty-two watercolor and pencil renderings produced by various artists for Bernard Design International.

Bosch, Katherine

Katherine Bosch student work

circa 1917-1920, 0.1 linear ft
Katherine Bosch (1896-1980) attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1917 to 1920 and received her diploma in Interior Architecture, Decoration, and Furniture Design. The collection consists of three undated watercolor renderings depicting doorways.

Bouché, René

René Bouché fashion illustrations

1949-1957, 1974, 15.3 linear ft
A celebrated portraitist and leader in fashion illustration, René Robert Bouché (1905-1963) was a visiting lecturer at Parsons School of Design in 1947. The collection, assembled by Jerry Silverman and Shannon Rodgers, consists of over 100 of Bouché's fashion illustrations, as well as a poster from a 1974 exhibition of his work at Parsons.
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Bouché, René

Portrait of Sophie Gimbel

circa 1961, 0.1 linear ft
Fashion illustration by René Robert Bouché depicting American fashion designer Sophie Gimbel. The illustration appeared in the April 15, 1961 issue of American Vogue with the caption, "Sophie's sari tactics for short evenings." Signed "RRB" in upper right-hand corner. Prior to the 2014 closure of the Adam and Sophie Gimbel Design Library, a framed reproduction of this illustration hung on a column at the entrance to Parsons School of Design's library in 2 West 13th Street.

Boylan, Roselaine

Roselaine Boylan student work

1929-1930, 0.2 linear ft
Advertising illustrations by Roselaine Boylan completed as a student at the New York School of Fine and Applied Art (now, Parsons School of Design). Boylan studied in the Graphic Advertising and Illustration Department in 1929-1930. The collection is comprised of five student assignments, probably executed for a third year advertising design class. The assignments consist of illustrated advertising displays executed in tempera and watercolor for the Grayline Tours bus company, Jell-O, Bloomingdale's department store, and Lord & Taylor.

Brandt, Mary L.

Mary L. Brandt home furnishings training course materials

circa 1946, 1953, 0.1 linear ft
Mary Largent Brandt was an interior decorator, author, lecturer, and merchandising expert. In the 1940s, she developed a training course for retail sales staff to promote more effective merchandising of home furnishings. Included in this collection are Home Furnishings Training Course: Handbook of Home Furnishings (1946) and a binder entitled, Home Furnishings Training Course: Summary of Visual Chart Materials for Home Study and Reference (undated).
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Brecht, Arnold

Arnold Brecht lecture notes

circa 1935-1942, 1.1 linear ft
Arnold Brecht (1884-1977) was a political scientist and public servant exiled from Germany after the Nazi's seized power due to his political affiliation and participation in efforts toward constitutional reform. He joined the University in Exile faculty at the New School for Social Research in 1933 where he taught political science, constitutional law, and public service until retiring in 1954. These notebooks contain Brecht's lecture notes and vocabulary words with shorthand, primarily handwritten, along with newspaper clippings used for courses, seminars, and other talks given by Brecht. Many lectures derive from his General Seminar at The New School and talks at Harvard University, World Affairs Club, Brooklyn College and other organizations, including one radio broadcast, "Economic Federalism on Trial," in 1936. Topics range from constitutional law, the history of the United States, Europe (particularly Great Britain, France and Germany), government and politics, economics (particularly price-fixing and taxation law), civil service, and contemporary German politics. It includes seminars for civil service training at Harvard and the New School in 1937.

Brigance, Tom

Tom Brigance fashion publicity and sketches

1932-1977, 6.7 linear ft
After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1934, Tom Brigance (1913-1990) became a fashion designer specializing in women's swimwear and sportswear. Exclusive designer at Frank Gallant in the 1950s, Brigance won the fashion industry's Coty Award in 1953. The collection includes scrapbooks of clippings and photographs publicizing Brigance's designs, sketches, publicity materials, and four original fashion illustrations of Brigance swimwear by Dorothy Hood, produced for Lord & Taylor.

Brooks, Donald

Donald Brooks papers

1957-2003, 14 linear ft
Donald Brooks (1928-2005) was a prominent American fashion designer who, in addition to creating ready-to-wear collections and custom apparel, designed costumes for film, television, and theater. He taught at Parsons School of Design for approximately forty years. The collection includes photographs, publicity materials, and original fashion and costume design sketches.
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Brown, Constance

Constance P. Brown papers

1913-1961, 0.3 linear ft
Constance P. Brown attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1913 until 1917, and worked as secretary to Frank Alvah Parsons sometime in the teens or 1920s. The collection consists of postcards and a letter from Parsons to Brown, faculty announcements, school circulars and lecture advertisements, interior decoration class rolls, clippings from 1913-1934, and correspondence with the Parsons School of Design Alumni Association, 1944 and 1961.

Burgess, Margaret Susan Daniell

Margaret Susan Daniell papers

circa 1928-2011, 0.8 linear ft
The Margaret Susan Daniell papers consist of biographical materials, a student notebook and drawings from her education at Parsons School of Design in the late 1920s, and two photographs. Daniell (1907-1998) studied fashion design at Parsons and later worked at Paramount Studios.

Buttfield, Bruce

Bruce Buttfield renderings and photographs

circa 1930s-circa 1950s, 2.4 linear ft
Interior decorator Bruce Buttfield (1897-1969) made his mark in the 1930s by creating distinctive furniture and rooms. In 1931, he designed the interior of the original Whitney Museum building on Eighth Street in New York City. The collection includes photographs and color renderings of Buttfield interiors.
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Cahn, Miriam

Miriam Cahn watercolors of jazz performances

1995-2002, 48 illustrations
A collection of forty-eight watercolors on forty-four leaves of paper by artist Miriam Cahn depicting jazz performances she attended at the New School for Jazz and Contemporary Music and elsewhere in New York City between 1995 and 2002.

Carr, Zack

Zack Carr papers

1969-2001, 6.8 linear ft
After graduating from Parsons School of Design Fashion Design Department in 1973, Zack Carr (1945-2000) worked for B. Altman, Donald Brooks and, most significantly, Calvin Klein, where he was creative director. In 1984, Carr started his own line, the Zack Carr Collection, before rejoining Calvin Klein in 1987. The papers consist of material produced and compiled between 1969 and 2000, and include idea books, photographs, news clippings, student work, and a large number of fashion sketches.

Carreon, Robert

Robert Carreon student work

1966-1969, 3 linear ft
Robert Carreon produced the drawings in this collection as part of his coursework at Parsons School of Design from 1966 until 1968, with the exception of eight drawings from his admissions portfolio and a drawing of a dress and cape that Carreon created for his sister's winter wedding while he was enrolled at Parsons. According to Carreon, student assignments followed a structured workflow: fashion design students maintained a sketchbook (not included in the collection), which they periodically reviewed with the head of the Fashion Design Department, Ann Keagy. She would select ideas from the sketchbook for students to further develop into more formal drawings, which she would also critique. These drawings form the bulk of this collection. Some of Carreon's drawings bear her annotations. Designs that passed this second critique would become renderings that designer critics reviewed with the students. Students were encouraged to experiment with different techniques, a practice evident in Carreon's drawings. He struggled with rendering the human face, and adopted a method of drawing the human figure to compensate for this. Drawings in the collection are typically executed in pencil and gouache, although there are some examples of drawings rendered only in ink to emphasize construction. Carreon annotated the drawings to indicate fabrics used and the collection or assignment. In many cases, manufacturers provided the fabrics and professors issued prompts based on the availability of a type of fabric or fur. Carreon signed his work "Rob" until his third year, in which he switched to "Robert." This was used to roughly date his work when no date is inscribed on a drawing. Additionally, he dropped the hemlines of the dresses and skirts he designed during his third year in a class with critic Chester Weinberg, and this development was also used to establish rough dates for the drawings. In addition to original drawings, the collection contains publicity materials featuring Carreon's work while he was a student.
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Cassels, Mariette

Mariette Cassels student notebooks

probably 1930-1931, 0.8 linear ft
The collection consists of eight notebooks kept by Mariette Cassels (1905-1993) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons The New School for Design) in 1930-1931. Includes lecture notes, photographs, postcards, clippings and sketches of furniture and decorative moldings.

Chase, William Merritt

William Merritt Chase etchings: "Keying Up--the Court Jester" (1879) and "Spanish Peasant" (circa 1881)

1879, circa 1881, 2 etchings
The collection consists of two etchings by William Merritt Chase: "Keying Up--the Court Jester" (1879). 6 3/4 x 4 1/2 inches. "Spanish Peasant" (circa 1881). 5 1/2 x 3 inches.

Chermayeff, Ivan

Ivan Chermayeff graphic design work

1950-1987, 0.2 linear ft
The collection consists of a print for Chermayeff's mural, "Painting by Computer"; an issue of the Harvard Advocate with cover and illustrations by Chermayeff; and two posters.
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d'Errecalde, Edith

Edith d'Errecalde papers

circa 1940s-1981, 0.4 linear ft
Edith d'Errecalde (1905-2002) worked for Mainbocher in the 1940s and started her own sportswear company, Maxmil, in 1951. Later d'Errecalde worked for Evan-Picone and as fashion director for Cohama (Cohn-Hall-Marx). The d'Errecalde papers consist of photographs, sketches, news clippings, advertisements, press kits, correspondence, and notes and manuscripts for articles and lectures. D'Errecalde was a critic and lecturer at Parsons School of Design in 1969-1970.

Danson, Casey Coates

Casey Danson student work

1972-1975, 2 linear ft
The collection documents projects completed by Casey Coates when she was a student in Parsons School of Design's Environmental Design program between 1972 and 1975. Materials consist of sketches on tracing paper, site plans, land use, climate, and systems studies for three building projects, as well as a silent, color super-8 film capturing street life in Danson's neighborhood on the upper west side of Manhattan. Danson created the film in response to an assignment to study the effect of a man-made environment upon the people who live in it.

Darwin, Dero

Dero Darwin, Jr. papers

1951-1979, 8.7 linear ft
Dero Darwin, Jr. (1929-2014) graduated from Parsons School of Design's Interior Design Department in 1964. This collection includes design work Darwin produced as a student, as well as lecture notes and course materials, and material from Darwin's professional design career.
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Dean, Ethel

Ethel Dean papers

probably 1925 - circa 1950s, 3 linear ft
The collection includes class notes and a clip book documenting decorative styles compiled by Ethel Epstein (who later used the surnames Dean and Evans) when she was a student at the New York School of Fine and Applied Art (later, Parsons School of Design) in the Interior Architecture and Decoration Department, around 1925. Also includes textile and wallpaper samples designed by Dean, probably dating from the 1950s, and a portfolio of her costume design drawings for the Broadway production of "The Laughing Woman" (1936).

Diamond, Stanley, 1922-

Stanley Diamond papers

circa 1934-1991 (bulk 1961-1988), 11.8 linear fet
Stanley Diamond (1922-1991) was an anthropologist and poet instrumental in establishing the Anthropology Department of the New School for Social Research. He chaired the department for fourteen years, during which time he founded and edited the journal Dialectical Anthropology. These papers document Diamond's writings and research, as well as his role as teacher and administrator at the New School for Social Research and elsewhere, and material related to his participation in conferences and public seminars. Includes drafts of journal articles and presentations, enthnographic research data and notes, teaching materials, and correspondence with colleagues and publishers. Materials span the entirety of Diamond's career, from his doctoral dissertation on the Kingdom of Dahomey to his later interest in the intersection of anthropology and poetry. Some files are restricted. Please email archivist@newschool.edu for details.

Dieffenbacher, Fiona

Fiona Walker Dieffenbacher student work and teaching examples

1989-2011, 0.4 linear ft
Fiona Walker Dieffenbacher is a fashion designer, author, and alumna of Parsons School of Design, as well as a full-time faculty member and director of the BFA Fashion Design program. The collection is comprised of student project notebooks and portfolios maintained by Dieffenbacher while she was a Fashion Design BFA student at Parsons School of Design in the early 1990s and examples of visual aids created by Dieffenbacher as a professor, as well as student work produced in classes she taught in the 2000s.
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DNR (New York, N.Y.)

Menswear fashion sketch collection

1995-1997, 0.4 linear ft
Eighteen original fashion illustrations donated by the menswear fashion magazine, DNR (Daily News Record). Sketches in the collection are executed in colored pencil, marker, and watercolors. Designers represented include John Rocha, Tommy Hilfiger, Nina Ricci, Claude Montana, Jose Levy, Paco Rabanne, Gilles Rosier, Joseph Abboud, and Olivier Strelli.

Driscoll, Raymond

Raymond Driscoll scrapbook and fashion sketches

circa 1942-1961, 1.2 linear ft
With a career that extended from the 1930s to the 1960s, Raymond Driscoll (1915-2004) was perhaps most widely known for his annual best and worst-dressed lists. He also achieved recognition for his costume designs for Mexican film stars. The collection is comprised of Driscoll's scrapbook of photographs, news clippings, invitations, and greeting cards from film stars and politicians documenting his work in the 1940s and 1950s, as well as original fashion sketches.

Dufy, Raoul

Raoul Dufy woodcut print

1953 (first printing: 1910), 0.1 linear ft
A second edition woodblock atelier print from an edition of 220, printed in 1953, from a 1910 woodcut. In 1924, Dufy used the woodblock, with others from the series, to produce printed textiles for the Lyons-based firm, Bianchini-Férier, with whom he had a long association.
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Dwork, Melvin

Melvin Dwork papers

1933-2012, 3.2 linear ft
Named one of Architectural Digest's top 100 designers in 1990 and 2002, Melvin Dwork (1922- ) attended Parsons School of Design in the 1940s, and later served on the Parsons Advisory Committee. The collection (1930s through the 2000s) includes student work, slides and photographs of professional work, news clippings, press releases and publicity materials.

Eagle, Arnold

Arnold Eagle photographs

1938-1962, undated, 1.4 linear ft
Arnold Eagle (1909-1992) emigrated to New York from Hungary in 1929. He became a documentary photographer in the 1930s and, in 1945, joined a remarkable roster of photographers hired by Standard Oil of New Jersey to produce a visual record of the benefits of oil in the lives of everyday Americans, and, in the process, creating an extensive photographic record of American life during the 1940s. Later, Eagle's work encompassed subjects ranging from modern dance to corporate workplaces. He also became enamored of filmmaking and worked as a cinematographer and director. In 1955, Eagle joined the faculty of the New School for Social Research, where he taught photography and filmmaking until shortly before his death. The collection consists of black and white photographic prints produced by Eagle, primarily from the 1940s and 1950s. The photos predominantly document landscapes, human labor and machinery at industrial and agricultural sites around the United States, Mexico and Cuba. Industries represented include cabinetry, mining, and mattresses; agricultural operations include sugar cane production.

Ehrlich, Suzy Lorraine

Suzy Ehrlich fashion illustrations

circa 1950s-1960s, 3.2 linear ft
Suzy Lorraine Ehrlich (1919-2006), was a New York-based fashion illustrator and product designer. The collection is comprised of 69 fashion illustrations executed in pen and ink, pastel, crayon, watercolor, and collage. It also includes two mailers advertising Milliken yarns. Some illustrations may have been executed for a class taught by Jack Potter at the School of Visual Arts.
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Erickson, Carl

Carl Erickson (Eric) fashion illustrations

1949, 1 linear ft
Carl Erickson (1891-1958), who signed his work "Eric," was a leading fashion illustrator whose drawings appeared in Vogue and Harper's Bazaar, among other publications. In 1964, Parsons School of Design hosted a retrospective of Erickson's work. The New School Archives' collection consists of fourteen works, possibly originating from that exhibit.

Eugene Lang College

New School Gender Studies minor program records

2006-2016 (bulk 2010-2013), 1 linear foot
This collection consists of records of the undergraduate gender studies minor program at The New School, covering roughly the time the gender studies minor was discussed in committee at the university in 2006 to the end of Miriam Ticktin’s directorship in 2014, the last year comprehensively documented. The bulk of the files document the program under the direction of Ann Snitow (2009-2012).

Eugene Lang College

No Longer in Exile: The Legacy and Future of Gender Studies at the New School recordings

2010 Mar 26-27, 27.1 gb
No Longer in Exile: The Legacy and Future of Gender Studies at the New School was a two-day conference held in 2010 in celebration of the re-establishment of a gender studies program at The New School university. Faculty, staff, undergraduate and graduate-level students and invited guest speakers discussed topics relevant to the discipline's past, present and future. This collection consists of the video files recorded during the conference.
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Feitler, Bea

Bea Feitler papers

1920-1981, 11.7 linear ft
Bea Feitler (1938-1982) graduated from Parsons School of Design in 1959 with a degree in Graphic Arts and Advertising. She went on to lead an illustrious career as a designer of books, magazines, posters, record album covers and more. Feitler served as art director for Harper's Bazaar and Ms; was consulting art director for Condé Nast, where she created the look for Self magazine; and designed for Rolling Stone magazine. Professional work in the Feitler collection includes layouts, dummies and other pre-publication work; and photographs and contact sheets by a number of the distinguished photographers with whom Feitler worked. Personal materials include mail art, correspondence, photographs, scrapbooks, ephemera, original drawings and collages.

Fleming, Roy

Roy Fleming collection

1900-1915, 0.4 linear ft.
Canadian elementary school teacher Roy F. Fleming (1878-1958) produced the notebook and drawing in this collection while attending the New York School of Art (later, Parsons School of Design) between 1902 and 1907. Fleming's notes are accompanied by detailed pen and ink sketches illustrating lectures by Frank Alvah Parsons, William Merritt Chase, Robert Henri, and others. The collection also includes a 1902 photograph of Fleming, his diploma, and a color chart created for art instruction.

Fox, Lorraine

Lorraine Fox offprints, transparencies, and tear sheets

1964-1976, 1 linear ft
Lorraine Fox (1922-1976) began her career in commercial illustration in the 1940s. She went on to become one of the most celebrated female illustrators of the mid-20th century. The collection, which spans the final decade of Fox's life, includes print proofs, transparencies and tear sheets of album covers, magazine and book illustrations, greeting cards, and advertising materials, including a promotional packet for Haldol. Fox taught at Parsons School of Design from 1965 until shortly before her death in 1976.
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Frawley, William

William Frawley fashion sketches

before 2000, 0.3 linear ft
Contains eight watercolor sketches by Frawley, who graduated from Parsons School of Design in 1983 and returned as an instructor from 1989 to 1996. Frawley is known for his illustrations in Parsons classmate Isaac Mizrahi's The Adventures of Sandee the Supermodel.

Galanos, James

James Galanos sketches for Jimi Originals

probably 1950, 0.1 linear ft
In 1950, fashion designer James Galanos (1924- ) started Jimi Originals with Mary Scourby. The company only existed for a short time, but it was the first company to market Galanos' creations under his name. The collection consists of twelve Jimi Originals fashion sketches as well as invoices and notes. Galanos was a critic at Parsons School of Design from 1962 to 1968.

Geck, Francis

Francis J. Geck papers

1923-2001, 3.5 linear ft
Francis Geck (1900-2005) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1924 and taught interior design at the school's Paris Ateliers until 1927. Following a professional career in his native Detroit, Geck became a professor of Fine Arts at University of Colorado, where he taught for 39 years. The papers contain correspondence with Parsons administrators, including Frank Alvah Parsons, design renderings and student work, publications, and course-related materials.
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Gettrust, Mary Frances (Mrs. Maury G. Baker)

Mary Gettrust collection

1936-1995, 4 folders
Mary Frances Gettrust (Mrs. Maury G. Baker) attended the New York School of Art (later, Parsons School of Design) from 1936 until her graduation in 1939 with a diploma in Costume Design and Illustration. Gettrust served as an instructor of Costume Illustration at Parsons in the 1940s. The collection consists of a partial student notebook of costume sketches with instructor comments, printed examples of Gettrust's work as a professional fashion illustrator, and correspondence from Parsons Alumni Association, and Parsons-related ephemera.

Givenchy Nouvelle Boutique

Givenchy Nouvelle Boutique showroom books

1972-1974, 2.2 linear ft
The collection consists of showroom books for the Givenchy Nouvelle Boutique of New York City, 1972-1974. The showroom books include price lists, garment sketch reproductions, and fabric swatches.

Givenchy, Hubert de

Hubert de Givenchy fashion sketches

circa 1980s, 0.1 linear ft
The two fashion sketches, rendered in colored marker, were created by Hubert de Givenchy for Anna-Maria Kellen during the 1980s.
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Golbin, Andrée

Andrée Golbin papers

1947-1996, 0.4 linear ft
After graduating from Parsons School of Design in 1943, Andrée Golbin (1923-2006) led a long career as a painter, graphic artist and illustrator. In addition to serving as art director for Mademoiselle magazine in the early 1950s, Golbin created artwork for a diverse roster of clients, including several modern dance companies, Henri Bendel, and American Cyanamid. The New School Archives holds examples of Golbin's drawings and completed projects in the form of book jackets, children's books, catalogs, and assorted promotional materials.

Golden, Cipe Pineles

Cipe Pineles's Editorial Design course dummies

1970 or 1971, 20 items
Collection consists of twenty dummies created at Parsons School of Design by students in an Editorial Design course taught by Cipe Pineles. The course was situated in the Graphic Design (later Communication Design) Department. One of the dummies is Pineles's, used as an example for her students, titled, Ah, Me.

Goodman, Jeremiah

Jeremiah Goodman interior design renderings

circa 1970s-1980s, 0.4 linear ft
Jeremiah Goodman (1922- ), studied at Parsons School of Design and the Franklin School of Professional Art in the 1940s, and went on to become a sought-after illustrator of interiors, creating covers for Interior Design magazine for fifteen years. The New School Archives' collection consists of nine watercolor renderings and one reproduction, dating from the 1970s and the '80s.
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Goodman, Juke

Juke Goodman fashion illustration collection

1940-1952, undated, 0.8 linear ft
A collection of eighteen 1940s and 1950s fashion and jewelry illustrations collected by art director Juke Goodman. Artists represented in the collection include René Robert Bouché, Burma Burris, Carl Erickson ("Eric"), Ruth Graftstrom, and Jacqueline Lindner. Goodman served as art director for Saks Fifth Avenue and was a visiting lecturer at Parsons School of Design.

Greenbaum, Joseph J.

Joseph J. Greenbaum papers

1943-1976, 2.8 linear ft
Joseph J. Greenbaum (1924-2011), a specialist in experimental psychology, joined the Graduate Faculty of the New School for Social Research in 1957 and was promoted to full professor in 1962. He also served as dean of the Graduate Faculty from the 1966-1967 academic year through the 1978-1979 academic year. During his four-decade career at The New School, Greenbaum taught a number of courses in the Psychology Department, documentation of which will be found in his records, along with administrative documentation from his role as dean.

Greenhill, Fred

Fred Greenhill fashion illustrations

circa 1960s-1980s, 13.5 linear ft
Fred Greenhill (1925-2007) graduated from Parsons School of Design in 1950. He went on to work as a fashion illustrator for Neiman Marcus in the 1950s, and was the primary artist for Saks Fifth Avenue in the 1960s and early 1970s. Greenhill is most recognized for his Lord & Taylor illustrations, including the company's trademark long-stemmed rose. The New School Archives holds approximately 700 fashion illustrations that Greenhill created from the 1960s through the 1980s.
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Gruda, Katarzyna

Parsons School of Design Graphic Design Department student work

1996-2010, 10.9
The items in this collection represent work created by students enrolled in Parsons School of Design's Graphic Design program. Screen-printed posters constitute the majority of the collection, with other examples including books, cards, jewel cases for compact disks, plastic mats, and a thematic sculpture series documented in color photographs and one sample. The majority of the work was produced for classes taught by Katarzyna Gruda.

Hadley, Albert

Albert Hadley papers

1947-1999, 0.4 linear ft
Albert Hadley (1920-2012) graduated from Parsons School of Design in 1949 and served on the faculty from 1949 through 1954. Hadley later joined Dorothy "Sister" Parish to form the interior design firm Parish-Hadley. The collection includes correspondence, design and lecture notes, student work and a mock-up for a booklet.

Halicka, Alice

Alice Halicka prints

1955, 0.2 linear ft
Includes prints numbered 43 and 184 from an edition of 220 created by Alice Halicka. Depicts the Place de la Concorde in Paris, including the Luxor Obelisk and a detail from the Fontaine des Mers, consisting of a naiad holding a fish.
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Halle, Hiram J.

Hiram Halle home movies of annual barbecue for University in Exile at Pound Ridge

probably 1935, 1937, 2 reels
The collection comprises two home movies made during the annual fall barbecue Halle held for members of the University in Exile and their families, as well as New School staff, on Halle's property in Pound Ridge, New York, in Poundridge, Westchester County.

Hamburger, Estelle

Estelle Hamburger manuscript,

1975, 0.2 linear ft
Manuscript created by Parsons School of Design instructor Estelle Hamburger for the book, Fashion Business: It’s All Yours (Canfield Press, 1976).

Hannan, Alison Smith

Alison Smith Hannan student notebook

between 1945-1947, 0.1 linear ft
Consists of a student notebook created by Alison Smith when she was a fashion design and fashion illustration student at Parsons School of Design. Includes garment and color analyses, book reports, fashion illustrations, and magazine cut-outs of fashion models and advertising elements.
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Haon, Dorothy

Dorothy Haon and Marion Haon papers

1938-1976, 4.5 linear ft
Dorothy Haon (1898-1995) attended the New York School of Fine and Applied Art (later, Parsons School of Design) in 1923-1924, and went on to careers in fashion design and merchandising. The collection, which spans the late 1930s through the 1950s, includes working sketches and notes, cloth patterns, fabric samples, and business records. Also included is work by Dorothy's sister, Marion Haon.

Hartelius, Margaret A.

Margaret Schmid Hartelius student work

1946-1947, 0.1 linear ft
Consists of two illustrations completed by Margaret Schmid (1922-2001) for an advertising design course at Parsons School of Design. After graduating in 1947. Schmid, whose name changed when she married Paul Hartelius, Jr., went on to a successful fifty-year career as an illustrator and children's book author.

Heilbroner, Robert L.

Robert Heilbroner papers

1947-1995, 0.4 linear ft
Robert Heilbroner (1919-2005) was first associated with The New School as a research fellow in the 1950s and received his PhD in economics from the New School for Social Research in 1963, during which time he studied under economist and University-in-Exile professor Adolph Lowe. He was appointed Norman Thomas Professor of Economics in 1971 and often taught History of Economic Thought courses. These papers contain correspondence between Heilbroner and Lowe, along with material documenting tributes sponsored by The New School and other sources, as well as samples of Heilbroner's writings.
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Herbert Sondheim, Inc.

Herbert Sondheim, Inc. fashion business scrapbooks

1923-1947, 55.1 linear ft
Herbert Sondheim (1895-1966), who taught at Parsons School of Design in 1946, ran a dressmaking business that produced affordable versions of Parisian high-end fashion. The collection includes 19 Herbert Sondheim, Inc. scrapbooks, the bulk of which contain fashion drawings and sketches. Included in some books are sketches depicting the work of Vionnet, Chanel, Molyneux, and other couture houses. The sketches were used by Sondheim designers as templates and inspiration in the early days of a globalized fashion industry. Two scrapbooks are comprised of news clippings, photographs and correspondence from the mid-1940s.

Hodge, Margaret

Margaret Hodge Company project files

1945-1980, 2.3 linear ft
After graduating from Parsons School of Design in 1945, Margaret Hodge became director of fashion marketing at Vogue, and in 1967 established her own fashion publicity business. Hodge led multiple marketing campaigns, tying clothing lines to the style and fashion of Hollywood films. The collection largely consists of examples of promotional material from Hollywood films, including publicity, set and costume design photographs, press kits, event announcements and tear sheets. The bulk of the material was produced between 1962 and 1976.

Hoopes, Elizabeth Geary

Elizabeth Hoopes interior design watercolors

1934, 1939, 0.3 linear ft
Elizabeth Geary Hoopes Krusen (1908-2006) was a student and instructor at the New York School of Fine and Applied Art (later, Parsons School of Design). She specialized in watercolor interior design renderings. The collection consists of four renderings of residential interiors by Hoopes, two of which were commissioned by McMillen, Inc.
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Horst, Eleanor

Eleanor Horst interior decoration photographs and renderings

1930s-1997, undated, 3.7 linear ft
After graduating from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1936, Eleanor Horst (1892-1995) led a long career as an interior decorator. The collection includes photographs and slides of Horst projects, as well as numerous renderings of Horst designs, several by fellow Parsons graduate Lyman Martin.

Hoyt, Lea

Lea Hoyt papers and design work

1933-1998, 1.8 linear ft
Lea Hoyt (1912-1998) received a degree in graphic design from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1933, and went on to a six decade career as a graphic and textile designer. The collection includes biographical material, correspondence, design drawings, photographs, and examples of Hoyt's work, represented by napkins and paper plates, among other items.

Hughes, Patrick

Patrick Michael Hughes students' work and teaching records

circa 2007-2010, 1 linear ft
Student work and a syllabus from two fashion design courses Patrick Michael Hughes taught at Parsons School of Design between 2007 and 2010. The courses, History, Culture, Society and Themes in Men's Fashion are repesented through notebooks, drawings, and papers. Additionally, the collection includes an independent study project based on the men's suit and a project created in a class taught by Hughes's colleague, Lisa SantaAndrea.
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Issey Miyake Inc.

Issey Miyake, Inc. lookbooks

2008-2016, 0.6 linear ft
Collection consists of English-language lookbooks and other printed promotional materials for Japanese fashion label Issey Miyake, Inc., produced largely between 2014 and 2016.

Johnson, Alvin

Alvin Johnson letters to Dannie Heineman

1951-1961, 0.1 linear ft
Consists of handwritten and typed letters from Dr. Alvin Johnson, President Emeritus of the New School for Social Research, to philanthropist Dannie N. Heineman and carbon copies of some of Heineman's replies.

Johnson, Alvin

Alvin Saunders Johnson collection

1908-1973, 5.4 linear ft
This collection primarily reflects the activities of Alvin Saunders Johnson during his years as director and president emeritus of the New School for Social Research (1946-1971). The files consist of biographical materials, correspondence, subject files, and writings. Because much of Johnson's work as emeritus revolved around fund raising, the correspondence and subject files largely document this activity. Other projects documented here include Johnson's proposal to establish a labor college at the New School (which never came to pass), and launching a Faculty of Retired Professors. The Writings series includes drafts, typescripts, and reprints from University and non-University publications, documenting Johnson's abiding engagement with social issues, in addition to chapter drafts for his autobiography, Pioneer's Progress (published 1952).
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Julien J. Studley Graduate Program in International Affairs

Julien J. Studley Graduate Program in International Affairs theses and practica

2003-2013, 12.1 linear ft
Includes 433 theses produced by students in the International Affairs program between Spring 2003 and Spring 2013, as well as practica produced between 2005 and 2010.

Kahn, Joseph

Joseph Kahn audiorecordings of conversations with media personalities

1979-1990, 2.2 linear ft
Consists of 166 audiocassette tapes recording conversations between retired investigative journalist Joseph Kahn and reporters, editors, and other media personalities invited to his courses at the New School for Social Research between 1979 and the early 1990s. Participants include Pete Hamill, Nick Pileggi, Gay Talese, and Murray Kempton, among many others. Frequent guests include Sidney Zion, Liz Smith, and Jack O'Brien.

Kalil, Michael

Michael Kalil papers

1966-2004, 114 linear ft
Michael Kalil (1943-1991) was an interior architect, philosopher, educator and artist, known for his innovative work with new materials and for humanizing digital technologies. From 1981 to 1991, he was the principal of Kalil Designs/Kalil Studio, a firm that specialized in high profile commercial, prototype and theoretical, and residential design commissions. Kalil also was an adjunct faculty member at the Parsons School of Design, and taught at the University of North Carolina at Greensboro. The collection includes Kalil's personal and professional papers, including original artwork, sketchbooks, journals, photographs, project records, architectural drawings, photoprints and sketches, design prototypes, and posthumous materials.
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Kallen, Horace Meyer

Horace M. Kallen research files

1900-1977 (bulk 1930s-1960s),
These papers contain drafts, outlines, notes, and manuscripts authored by Horace Meyer Kallen (bulk 1930s-1960s), documenting his career as a founding professor of philosophy at the New School for Social Research (1919-1974). His papers also contain writings by others and research material in the form of offprints and printed journals. Many topics center around religion and his work with Jewish organizations, such as the World Jewish Council and Farband-Labor Zionist Order during the 1950s-1960s.

Keane, Helen Faith

Helen Faith Keane fashion merchandising files

1926-1996, 0.4 linear ft.
Helen Faith Keane (née Kahn) Reichert (1901-2011) was a professor at the New York University School of Retailing from approximately 1946 until 1977. The files consist of clippings, course materials, handwritten notes on fashion press, print publications of a vocational nature by other merchandising educators, and programs and invitations for fashion shows.

Kirk, Michael (printmaker)

Etching in Six Panels by Edgar Levy, Adolph Gottlieb, Esther Gottlieb, Lucille Corcos, David Smith and Dorothy Dehner

etched 1933, printed 1974, 0.1 linear ft
Three impressions from an edition of 100 prints produced in 1974 from a zinc-plate etching created in 1933. The etching is divided into six small panels in which each of the artists etched a portrait of another member of the group.
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Knight, Margery S.

Margery S. Knight sketchbooks

circa 1951-1980, 0.8 linear ft
Margery Knight (1906-1994) taught figure drawing and fashion illustration at Parsons School of Design from 1946 to 1969. The twelve sketchbooks in this collection, dating from the 1950s to 1980, contain rapid figure and fashion sketches, lecture notes, and anatomy studies.

Landa, Albert

Albert Landa records

1933-1985 (bulk 1963-1985), 11 linear feet
Consists of records generated by Albert Landa (1927-2008), who started in 1960 as director of Public Information and became vice president of Development and Public Relations at The New School, and then held the title of Vice President, until he retired in 1985. The records in this collection are notable because Landa was deeply involved in a rapid expansion of the university, overseeing the launch of the Center for New York City Affairs, the merger of Parsons School of Design with The New School, and leading the merger of the Otis Art Institute of Los Angeles with Parsons. The collection is comprised of six series, representing activities related to most of the major divisions and institutes of the university. Materials relate primarily to the development of new programs, building projects, fund raising, and public relations. Some documents in this collection are restricted. Please email archivist@newschool.edu for further information.

Lange, Margaret

Margaret Lange student notebook

1938-1939, 2 linear ft
Margaret Louise Lange's notebook, produced while a student of Costume Design and Illustration at Parsons School of Design, 1938-1939, includes lecture notes, sketches, color studies and fashion clippings.
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Larrimore, Mark J.

Mark Larrimore faculty records

1985-2014, 2 linear ft
Collection consists of Eugene Lang College Religious Studies professor Mark Larrimore's teaching and subject files. Student work in the form of publications and posters advertising campus events are heavily represented.

Lashen, Daniel

Daniel Lashen student work

1947-1950, 1.8 linear ft
Interior design sketches and detail studies from Daniel Lashen's studies at Parsons School of Design in New York and in Italy. Lashen graduated from Parsons in 1950.

Le Maire, Charles

Charles Le Maire costume and fashion sketches

circa 1924-1950s, 0.5 inear ft
Charles Le Maire (1897-1985) began his costume design career in the 1920s creating costumes for vaudevillian musicals and revues. Later, he served as executive designer for Twentieth Century-Fox. In the 1950s, Le Maire established his own business in Hollywood, taking private commissions and continuing his film design work, and earning thirteen Oscar nominations and three Oscars for Best Costume Design. The collection consists of seventeen Le Maire sketches, including work for the Earl Carroll Vanities (1924-1930) and unidentified sketches from the 1950s.
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Lighter, Jeremiah B.

Jeremiah B. Lighter graphic design work

1923-2013, 6.5 linear ft
Jeremiah B. Lighter (1921-2013) was a New York-based artist, printmaker, book and graphic designer, typographer, illustrator, and teacher. This collection contains artwork and design project materials in a variety of mediums pertaining to his professional and personal design and artistic career. Dating primarily from the mid-1950s through the 1980s, materials in the collection include woodblocks and prints, original artwork and proofs Lighter's numerous professional book and album cover design projects, and advertisements. The collection also includes examples of Lighter's work in acrylics, pen and ink, watercolors, and pencil, as well as items of a biographical nature, such as his professional presentation portfolio and flyers and press releases for exhibitions of his work.

Lipton, Seymour

Seymour Lipton sketches for sculptures

1960-1969, 0.1 linear ft
A trained dentist who became an acclaimed sculptor sometimes associated with the New York School of abstract expressionism, Seymour Lipton (1903-1986) achieved international recognition in 1958, when he was awarded a solo exhibition at the Venice Biennale. Lipton taught sculpture at The New School from the 1940s until 1965. The New School Archives holds twenty of his sketches, made between 1960 and 1969, representing ideas for sculptures.

Little, Roy

Roy Little sketchbooks

1951-1954, 4 linear ft
Roy Little graduated from Parsons School of Design in 1949 and went on to become a designer for renowned French couturier Jacques Fath. He returned to Parsons as an instructor in 1958 and remained in that position until 1979. The nine numbered sketchbooks held by the New School Archives represent Little's work for Fath.
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Mackintosh, Robert

Robert Mackintosh costume and fashion design work

1945-1998, 18.4 linear ft
Robert Mackintosh (1925-1998) was a costume and fashion designer whose design career spanned forty years and twenty Broadway productions. He made his Broadway debut designing costumes for the 1952 musical Wish You Were Here and went on to design costumes for both on and off-Broadway productions. In the 1960s, Mackintosh branched out into womenswear design with Musette, a juniors label, which was sold at Bergdorf Goodman and Saks Fifth Avenue. He went on to design various other womens and menswear lines in the 1970s. The bulk of the collection consists of costume sketches, technical sheets, and swatches from theatrical productions, including The Last Minstrel Show, and Mame. Also included are clippings, fashion publicity, and promotional photographs, as well as approximately 150 women's fashion sketches, and nine menswear sketches.

Mannes College of Music

Mannes School of Music photograph collection

circa 1914-2004, 10
This collection contains several thousand photographs relating to the Mannes School of Music, from its early days in the 1910s through the 2000s, primarily representing the 1970s through the 1990s. Included are images of several Mannes buildings; productions and performances put on by different Mannes ensembles; administrative and academic events; the Mannes family; and the personnel of Mannes, including students, faculty, alumni, and guest artists and performers.

Mannes College of Music

Mannes School of Music course catalogs

1916-2006, 2.2 linear ft
Consists of course catalogs with information about the policies, faculties and courses of Mannes School of Music. Collection includes a limited number of catalogs focused exclusively on the Extension Division, Preparatory Division, Summer School, and Jazz and Contemporary BFA Program, while most cover a broad range of courses.
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Mannes College of Music. Mannes Camerata

Mannes Camerata collection

1982-1994, 2.2 linear ft
The Mannes Camerata, founded in 1981 by Paul Echols, is made up of students and faculty of the combined undergraduate and graduate early music programs at the Mannes School of Music. The collection contains scores, schedules and program notes, photographic materials, librettos, press releases, correspondence, and audiovisual recordings.

Mannes, Leopold

Leopold Mannes manuscripts

before 1965, 1.1 linear ft
Leopold Mannes (1899-1964) was son of the founders of Mannes School of Music, David and Clara (Damrosch) Mannes. Leopold became director of the school in 1940. Mannes and his friend Leopold Godowsky, Jr., also a musician, invented a process of color photography that became known as Kodachrome. Mannes was also a musician. This collection contains music manuscripts of Leopold Mannes' compositions including arrangements of pieces by other composers such as Bach and Faure.

Marcella, Joseph

Joseph Marcella student work

1968-1971, 2004, 5.8 linear ft
The collection consists of student work and related records created or received by Joseph Marcella while studying in the Design Correlations Department (now Product Design) of Parsons School of Design between 1968 and 1970. In addition to project files for portable structures, underwater and outerspace habitations, and a one-piece plastic chair, the collection includes photographs, posters, and textual materials documenting the first Earth Day observances at Parsons.
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Marinsky, Harry

Harry Marinsky interior design illustrations

circa 1953-1988, 9.4 linear ft
In the 1950s and 1960s, Harry Marinsky (1909-2008) illustrated for many publications, including House and Garden, House Beautiful and Woman's Day. The New School Archives collection consists of seventy illustrations in watercolor and marker depicting residential and commercial interiors and exteriors.

Martin, Lyman

Lyman Martin interior decoration work and papers

1928-1992, 6.3 linear ft
Lyman Martin (1908-2003) graduated from Parsons School of Design in 1939 and went to work for Thedlow, a prestigious interior decoration firm. After serving in World War II, Martin returned to Thedlow, where he created interiors, produced watercolor renderings, designed rugs and painted murals for clients. In 1969, Martin was appointed president of Thedlow and stayed until the company closed in 1979. The collection includes student work, renderings and drawings of interiors, sketches, an illustrated European travel diary, floor plans, photographs, news clippings, and exhibition records.

Marvin, Ina Dell

Ina Dell Marvin student work

1928-1931, 1970s, 0.5 linear ft
The collection consists of student work and related documents kept by Ina Dell Marvin (1893-1991) while studying in the Paris Ateliers of the New York School of Fine and Applied Art (now, Parsons School of Design). Includes class reference materials, clip books, correspondence, diploma, London itinerary, lecture notes, photographs and renderings of furniture, decorative pieces, and interiors.
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Mason, Stephen Walton Biddle, Jr.

Stefan fashion design papers

circa 1945-1976, 1 linear ft
Collection mainly consists of publicity photographs, press clippings, fashion show programs, and other materials related to the fashion design career of Stephen Walton Biddle Mason, Jr., known professionally as Stefan, between the mid-1940s and early 1960s.

Mathieu, Dora

Dora Mathieu portrait sketches

1938-1968, 1 linear ft
Dora Mathieu (1909-1980) taught fashion drawing in the Parsons School of Design Fashion Illustration Department, 1964-1966. The Kellen Design Archives holds twenty-nine of Mathieu's sketches, depicting notable designers of the mid-twentieth century. Although the earliest dated portrait is from 1938, the bulk of the collection was created between 1965 and 1968.

Matossian, Harold

Harold Matossian graphic design work for Knoll

1971-1994, 1.3 linear ft
In 1979, Harold Matossian (Parsons School of Design, 1968) became director of the Knoll furniture company's graphics department, producing invitations, brochures, stationery, catalogs and other corporate literature for the company until 1994. The Kellen Design Archives holds finished examples of these graphics.
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Matsunaga, Shin

Shin Matsunaga graphic design prints and exhibition catalog

1989, 1.8 linear ft.
Set of 115 prints of the work of graphic designer Shin Matsunaga (1940- ), as well as the catalog for a 1989 exhibition of his work at Parsons School of Design.

Mayer, Clara W.

Clara Mayer papers

circa 1944-1961, 12.5 linear ft
Clara Woolie Mayer (1895-1988) held a long affiliation with the New School, first as a student, then in a fund raising capacity and as a trustee, followed by a succession of administrative roles, including dean of the School of Philosophy and Liberal Arts (1943-1961) and vice president of the New School for Social Research (1950-1961). Dating largely from 1950 to the early 1960s--during Mayer's term as vice president and dean--the collection consists primarily of subject files pertaining to programs, departments, and members of the New School faculty and administration. Of note is Mayer's correspondence, largely related to teaching and lectures, with well-known figures, including W.E.B. Du Bois, Albert Einstein, Berenice Abbott, Alvin Johnson, John Cage and Erich Fromm. Additionally, there is a wealth of material relating to Mayer's contributions to post-war European relief efforts through the Cooperative for American Remittances to Europe and Foster Parent Plan. Finally, the collection contains typescript writings by Mayer, including articles, speeches, commencement addresses and translations.

McCardell, Claire

Claire McCardell fashion sketches

1931-1958, 51.2 linear ft
Claire McCardell (1905-1958) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928 and went on to become a pivotal figure in the creation of American ready-to-wear clothing. McCardell received the Coty American Fashion Critics Award in 1944, and in the same year returned to Parsons as a critic and instructor, a position she held for the rest of her life. The Kellen Design Archives has approximately 9,000 of McCardell's working sketches, covering the years 1931-1958; the bulk were produced for Townley Frocks. The collection also includes sketches by Mildred Orrick and Scaasi (Arnold Isaacs) for Townley Frocks.
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Minkiewicz, Catherine

Catherine Minkiewicz student work

1964-1966, 2.7 linear ft
The collection consists primarily of course assignments in the form of a collage, presentation boards, photographs, and a watercolor rendering by interior designer Catherine Minkiewicz (1966) during her studies in Parsons School of Design's Interior Design Department.

Mueller, Violet Hubbard Holsinger

Violet Holsinger Mueller papers

1926-2010, 2.3 linear feet
Violet Holsinger Mueller (1907-2003) studied fashion design at the New York School of Fine and Applied Art (later, Parsons School of Design) from 1926 through 1929. She worked as an interior designer for the St. Louis-based department store, Stix, Baer & Fuller for over two decades, and also established her own design consultancy in Belleville, Illinois. Her papers include personal materials, as well as documentation created over the course of her education at Parsons and her professional career. Student work includes a number of assignments demonstrating the principles of Dynamic Symmetry in design education.

Nesbitt, Esta

Esta Nesbitt fashion illustrations

1944-1964, 23.6 linear ft
Esta Nesbitt (1918-1975), an instructor at Parsons School of Design from 1964 to 1974, created fashion illustrations for such publications as Harper's Bazaar, Mademoiselle, and the New York Times Magazine. Later in her career, Nesbitt employed innovative printing techniques as a children's book illustrator, created performance art pieces, and was one of the earliest to experiment with fine art Xerography. Nesbitt's work in the New School Archives primarily consists of 271 original fashion illustrations, as well as pre-publication layouts, mechanicals, proofs, and tear sheets.
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New School

New School marketing and promotional materials

1939-2016, 7.7 linear ft
Printed publicity materials including but not limited to mailers, viewbooks, pamphlets, and postcards generally advertising The New School, or a particular course or program of study.

New School

New School School of Media Studies records

1970-2013, 5.8 linear ft
The School of Media Studies began as the Center for Understanding Media. Accredited through Antioch College, the program offered courses through the New School for Social Research. The New School formally absorbed Media Studies in 1975, after a four-year partnership. These records consist of curricula vitae, office files, reports, syllabi, posters and other printed publicity materials, as well as a few objects used for orientations and promotional purposes.

New School

New School Adult Division Office of the Dean records

1959-1986, 20.3 linear ft
These records were created and maintained by the dean's office of what is now the New School for Public Engagement, and formerly known as the Adult Division or, simply the New School. The bulk of the records consists of alphabetically arranged topical files primarily documenting the activities of deans William Birenbaum (served 1961-1964) and Allen Austill (served 1964-1979). Smaller subsets of files document the New School College during the late 1960s and student advising efforts by Herman Eichner and Miriam Fraser Bennee in the 1940s and 1950s. Access is provided to this unprocessed record group, but some files may be restricted. Please email archivist@newschool.edu for details.
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New School

New School for Social Research Office of the Dean records

circa 1955-2015, 17.5 linear ft
These records originate from the New School for Social Research Dean’s Office and its predecessor school, the Graduate Faculty of Political and Social Science (in its early years, also referred to as the University in Exile). The records relate to departmental matters, including accreditation, budgeting, curriculum development and faculty affairs. There is correspondence of deans with academic departments within the division, including Anthropology, Economics, Gender Studies, Historical Studies, Master of Arts Liberal Studies (MALS), Philosophy, Political Science, Psychology and Sociology. Documentation will also be found for centers and institutes supported by the division, including the Center for Studies of Social Change (CSSC), the Schwartz Center for Eonomic Policy Analysis (SCEPA) and the Transregional Center for Democratic Studies (TCDS). Routine business between departmental chairs and deans include curriculum development, faculty appointments, fellowships and program accreditation. Records also document events (1990s-2000s); the Speier Professorship (1990s); and controversies over New School president Bob Kerrey's war record (2001-2003). Some files Some files are restricted. Please email archivist@newschool.edu for details.

New School

New School course catalogs and bulletins

1919-2014, 29.7 linear ft
This collection consists of course catalogs from The New School, including continuing education courses, Eugene Lang College, the Dramatic Workshop of The New School, New School Art Workshops and the New School for Social Research, formerly known as the Graduate Faculty.

New School

Schools of Public Engagement Executive Dean's Office records

1976-2014, 17.6
The Schools of Public Engagement was formed in 2011 with the reorganization of the New School for General Studies. As of 2016, the division is comprised of five schools: the Bachelor's Program for Adults and Transfer Students; the School of Languages; the School of Media Studies; the Milano School of International Affairs, Management, and Urban Policy; and the Creative Writing Program. This collection also contains the records of the World Policy Institute from the period it was affiliated with the New School, from 1991-2008. Dating largely from the 1990s until 2014, the SPE records contain correspondence, memoranda, reports, budget and financial material, and faculty and personnel files relating to the administration and governance of the Schools of Public Engagement and their predecessor programs, departments, and schools.
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New School

Graduate Faculty of the New School for Social Research collection

1933-2011, 12.5 linear ft
The graduate school at the New School was established in 1933 as the Graduate Faculty of Political and Social Science. In its early years, the school was often referred to as the University in Exile. The division's name was changed in 2005 to the New School for Social Research (NSSR). This collection comprises a compilation of materials related to the school gathered from a variety of sources by librarians in the Raymond Fogelman Library over a number of years. Materials include documentation of administrative functions, curriculum development, student and faculty research, fund raising and financial aid. Some materials are restricted. Contact archivist@newschool.edu for details.

New School

Graduate Faculty of the New School for Social Research minutes

1933-1984, 1.1 linear ft
The Graduate Faculty of Political and Social Science, often referred to in its early years as the University in Exile, was established in 1933. This collection consists of minutes from meetings from the time the Graduate Faculty was established through 1968. Minutes of the Executive Faculty Meetings (1933-1968) are bound into four volumes. Some of the unbound minutes duplicate these, but the unbound files also include ancillary materials such as drafts, dissertation defense announcements, calendars, schedules, correspondence, reports and agendas. Also included are General Faculty meeting minutes (1961-1965) and minutes of the Meetings of Officers (1958-1960).

New School

Institute of World Affairs records

1938-1957, 17.5 linear ft
The Institute of World Affairs (IWA) records document the operations of the Institute and its administrators and researchers. The bulk of the materials originate from its founding in 1942 until its redesignation as the Research Division of the New School for Social Research in 1953, and consist of administrative records such as minutes, correspondence, research proposals and reports, contracts, publishing agreements, and budgets; writings in the form of manuscripts, drafts, notes, and published research material; and research project records, including correspondence, memoranda, interviews and questionnaires, study data and analyses, and graphs. The bulk of the material consists of project files, particularly the records from the Leisure-time project (1947-1953), as well as of projects and studies by researchers and administrators associated with the Institute, including Hans Staudinger, Phyllis Poses, Adolph Lowe, Elizabeth Tood, Lewis Lorwin, Henry G. Aubrey, and Alexander Ringer.
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New School

Schwartz Center for Economic Policy Analysis working and conference papers (SCEPA)

1996-2007, 1.5 linear ft
This collection contains working papers and other academic papers, printed and typescripts, stemming from the Center for Economic Policy Analysis (CEPA), later known as the Schwartz Center for Economic Policy Analysis (SCEPA) in 2005. The bulk are working papers identified as series 1, 2, and 3. Individual papers in series are numbered, some are revisions.

New School

Parsons School of Design Centenary oral history project

1994, 13 audiocassettes
The Parsons School of Design Centenary Oral History Project consists of recorded sound interviews with twelve individuals as well as two audio monologues by the project's manager, Martica Sawin. These interviews, all recorded in 1994, cover the history of different academic departments and design disciplines over the course of the twentieth century as experienced by leading former and then-current instructors and administrators. Recordings are all in English.

New School

Parsons School of Design oral history program

1994, 2010-2014, 8.86 gb
This ongoing oral history program documents the lives and work of designers, artists, and others active in the fields of art and design. Interviewees include Parsons alumni, faculty, and professionals without a direct Parsons connection.
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New School

Michael Kalil oral history project

2011, 0.1 gb
The Michael Kalil Oral History Project consists of recorded sound interviews with colleagues, collaborators, and friends of interior designer Michael Kalil (1943-1991). Jean Gardner, Karyn Issa Ginsberg, and Marty Speigel discuss Kalil's education, career, and ideas with project archivist Jennifer Larson. Kalil's work—incorporating varied and diverse principles of architecture and philosophy—was considered by many to be revolutionary in the 1970s and 1980s. Recordings are all in English.

New School

Center for Studies of Social Change (CSSC) working papers

1985-1998, 2.2
This collection is comprised of academic papers, specifically the working papers, numbers 1-237, sponsored by the Center for Studies of Social Change (CSSC) soon after its establishment in 1984 until 1998. The bulk are authored by director Charles Tilly (1984-1995).

New School

Graduate Faculty Political Economy working papers

1988-1994, 1.1 l
This collection consists of working papers, numbered 1-56 (with some gaps in numbering), originating from the Committee on Political Economy of the New School for Social Research. The numbers were assigned by the Committee and follow a rough chronological order. Authors include Thomas I. Palley, David M. Gordon, Willi Semmler, and Alice H. Amsden.
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New School

International Center for Migration, Ethnicity, and Citizenship (ICMEC) occasional and working papers

1995-1999, 1.1 linear ft
This collection is comprised of working papers originating from the International Center for Migration, Ethnicity, and Citizenship (ICMEC), described and arranged in the following series: Migration Policy in Global Perspective, Immigrant New York; Occasional Papers; Critical Perspectives on Xenophobia; and Negotiating Differences.

New School

Janey Program in Latin American Studies working papers

1993-1997, 0.1 linear ft
This collection of academic working papers was produced by the Janey Program in Latin American Studies at The New School, a program supporting Latin American students and scholarship in the field of Latin American studies. Papers are printed and designated by annual or semester series. Authors appear to stem from various departments in the Graduate Faculty, later renamed the New School for Social Research. Includes revisions.

New School

New School Bulletin collection

1927-1971, 1.6 linear ft
The New School's publicity office began issuing the New School Bulletin in 1927. The Bulletins -- sometimes referred to as the "Weekly Bulletin" -- contain announcements about lectures, exhibitions, performances and other campus events, information and updates for selected courses, brief editorial features, and other current news about the school. They were issued inconsistently beginning in 1927, weekly from 1943 to 1961, and thereafter with decreasing frequency before ceasing publication in 1971.
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New School

New School mural commission documentation

1931-2010, 1.5 linear ft
The collection consists of documentation about five artists and the works they created for the New School at its flagship building at 66 West 12th Street, and for later additions to the building. The materials here were gathered and produced by the curators of the New School Art Collection. Materials include correspondence, photographs, documentation of restoration efforts, exhibition catalogs, and promotional materials.

New School

Commencement, convocation and inauguration print materials collection

1945-2016, 2.2 linear ft
Collection consists of printed materials produced for The New School and Parsons School of Design's commencement and convocation ceremonies, as well as presidential inauguration ceremonies for New School presidents, and other milestone events celebrated during convocation and commencement, such as anniversaries of the Graduate Faculty of the New School for Social Research.

New School

Independent study oral history project on New School history

2013, 4.34 gb
This oral history project consists of six audio interviews conducted by New School for Public Engagement student Gerard O. Hemmerle as an independent study under the supervision of Professor Julia L. Foulkes. Interviewees consist of long-serving university faculty and staff, primarily those associated with what was known as the New School for Public Engagement. Hemmerle conducted the interviews during the Spring 2013 semester. Recordings are all in English.
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New School

American Race Crisis lecture series

1964, 10 reels
The audio recordings and transcripts in this collection document lectures from a fifteen-week series on the race crisis in the United States, held in the spring of 1964 at the New School, organized by New School professor Daniel S. Anthony. The speakers in the recordings include Charles Abrams, Algernon D. Black, Dan W. Dodson, Milton A. Galamison, Martin Luther King, Jr., Louis Lomax, Joseph Monserrat, Melvin Tumin, Robert C. Weaver, and Roy Wilkins. Open to the general public, the lectures were held in the auditorium of the school's flagship building at 66 West 12th Street in Greenwich Village. Topics discussed range from the impact of school integration, housing discrimination, affirmative action, the growing Black separatist movement, and motivations for racial prejudice. Dr. King opened the conference, and the recording of his talk consists only of the question and answer session following his address.

New School

Human Relations Center records

1961-1986 (bulk, 1968-1975), 1.4 linear feet
The Human Relations Center was a long-running program (1951-circa 1986) at the New School organized by women and directed primarily toward the personal, social and career development of women. At the height of its popularity in the 1970s, as many as three thousand students enrolled in more than seventy-five Human Relations Center courses each semester. The collection consists primarily of materials dating from the 1970s, and includes publicity materials regarding courses, seminars and public programs and materials connected to the partnership with the Head Start program, and special training programs.

New School

New School Architectural plans and drawings for 66 West Twelfth Street

1924-1986 (bulk 1930-1959), 32 linear ft
Originally located in six renovated brownstones on West 21st Street in New York City, The New School for Social Research reopened in 1931 in a newly constructed building at 66 West Twelfth Street in Greenwich Village. The seven-story structure, designed by architect and theatrical designer Joseph Urban (1872-1933), was the first of what would eventually become a three-building complex at the site. The collection consists of design and construction drawings documenting Joseph Urban's original building at 66 West Twelfth Street, construction drawings for the expanded campus in the 1950s, and a small number of plans representing other periods of renovation and expansion at the site.
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New School

New School Associates records

1943-1988, 16.25 linear ft
The New School Associates was the first fund raising body associated with the New School for Social Research. Comprised of faculty, former students, school administrators and supporters of the school's aims, the Associates sponsored numerous educational and social events and an annual membership drive. These records represent the administration of the Associates from the mid-1940s through the 1970s. Art exhibition records extend into the 1980s. Files belonging to the Executive Secretary of the New School Associates, Edith Jonas Levy, constitute a significant portion of these records.

New School

New School Development and Public Relations Office records

1926-1967 (bulk 1946-1960), 6.6 linear feet
The collection consists of records originating from the offices of Mary Urban, who coordinated fund raising and public relations efforts at the New School in the 1940s and early 1950s, and that of her successor, Margarete Westmann, director of Development from 1958-1962. Materials include memoranda and correspondence, financial statements, budgets, advertising contracts, donor and prospect records, New School Associates membership records, event planning materials and invitations, fund raising appeals, minutes, reports, promotional materials, and records documenting the work of the Scholarship Committee and the Graduate Faculty Alumni Association. Part of one file is restricted. Please email archivist@newschool.edu for details.

New School

New School Online records

1992-2008, 4.4 linear feet
The New School Online records document the university's office devoted to developing and supporting online education. The files in this record group cover the second year of its existence as the Distance Instruction for Adult Learning (DIAL) program through 2008. The unit has also been called Distance Learning and is known as Global and Distributed Education as of 2017. Collection is restricted. Please email archivist@newschool.edu for details.
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New School

New School publicity scrapbook collection

1918-1953, 32 linear ft
The New School Publicity Scrapbook collection consists of fifty-seven scrapbooks compiled at The New School for internal administrative use between 1919, when The New School was founded, through 1953. The scrapbooks include local, regional and international newspaper articles and editorials, and administrative documents and correspondence, course catalogs--or Bulletins--weekly supplemental pamphlets (also called Bulletins), ephemera, promotional materials for print distribution and radio broadcast, and invitations to New School events. Newspaper clipping content includes political and cultural news of the day as it pertained to people and events affiliated with The New School, New School curricula, notable public speaking engagements at The New School, news about guest lecturers, faculty, students and alumni.

New School

New School Publicity Office records

1918-1993 (bulk 1945-1965), 21 linear feet
This collection largely documents the activities of the New School Publicity Office during the 1940s and 1950s, and reflects the range of functions and activities of the department under the leadership of Agnes De Lima, who directed the department for two decades. The collection includes notes and draft materials for the production of press releases, articles in the weekly New School Bulletin, advertisements and course promotion, and related administrative materials. Also includes materials related to the organization of art exhibitions and special events, and transcripts of radio announcements and speeches. The Dramatic Workshop, École Libre des Hautes Études and Graduate Faculty series in this collection are especially rich in describing the work of these important New School programs.

New School Archives and Special Collections

Fashion look books and merchandising collection

1960s-2001, 4.4 linear ft
Contains printed and moving image publicity materials produced for late twentieth century fashion designers. Predominant designers include: Calvin Klein, Donna Karan (DKNY), Joseph Abboud, Pierre Balmain, Ralph Lauren, and Tommy Hilfiger. Also contains printed materials produced for Parsons School of Design alumni Anna Sui, Badgley Mischka, Isaac Mizrahi, Marc Jacobs, Narcisco Rodriguez, Peter Speliopoulus, and Bruce (Daphne Gutierrez and Nicole Noselli).
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New School Archives and Special Collections

Designer files collection

circa 1994-2008, 3.2 linear ft
The Designer files collection was assembled by Kellen Design Archives staff between approximately 1994 and 2008 from a variety of sources (on occasion new files continue to be added). Subjects are typically Parsons School of Design graduates, visiting critics, lecturers or faculty. Folder contents may include clippings, work samples, ephemera, slides, and such printed materials as business cards, postcards, and pamphlets. Information about the designers in these files ranges from as little as one item to multiple folders. For each letter of the alphabet, general folders contain information about multiple designers by last name or common business name.

New School Archives and Special Collections

New School oral history program

2012-2015, 12.4 gb
The New School Oral History Program, initiated in 2012, consists of recorded sound interviews conducted by Archives and Special Collections staff and faculty partners on an ongoing basis to document aspects of university history that may not exist in other recorded formats. Interviewees consist of New School administrators, faculty, and staff, both current and retired. The conversation topics in the interviews span the twentieth and early twenty-first history, and cover different academic departments and disciplines, university offices, and affiliated institutes. Recordings are all in English.

New School Archives and Special Collections

Collection of prints by eighteen British artists of the 1960s and 1970s

1966-1979, 6 linear ft
The collection consists of work by eighteen artists who worked in the printmaking medium in Great Britain during the 1960s and '70s. All works are prints on paper and most are completely or largely abstract. The majority are screen prints, although there are also lithographs and intaglios. Many are characterized by bold blocks of color and exhibit a Pop influence. It is not known whether the works in this collection were all printed in the same studio, nor are the circumstances known under which they were donated to the Kellen Design Archives. However, many of the artists in the collection are of the same generation, knew one another, and many are frequently exhibited together. All were members of a thriving art scene in Great Britain during the 1960s and '70s, at a time when screen printing was gaining increasing acceptance as a technique for creating works of fine art, after having long been used primarily for producing commercial graphics. Includes work by David Annesley, Patrick Caulfield, Pierre Celice, Bernard Cohen, Elisabeth Frink, Patrick Heron, Gordon House, John Hoyland, Patrick Hughes, Liliane Lijn, Kim Lim, Kenneth Martin, Nicholas Monro, Tom Phillips, Patrick Procktor, William Scott, Colin Self, and William Turnbull.
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New School Archives and Special Collections

Parsons Table research files

1923-2006, 0.4 linear ft
The Parsons Table research files consist primarily of work conducted and assembled by the director and staff of the New School Archives in 2002 to support a Parsons School of Design's Design and Management Department project in which students would construct and market a version of the Parsons Table. Archives staff prepared a questionnaire for alumni to gather information about the origins of the table and its design. Several responses include sketches of the table. While furnishing no conclusive evidence, these files will be useful to researchers investigating the history of the table, its relationship to the school, and the stories that have been told about it.

New School Archives and Special Collections

New York School of Art reference index (1896-1912)

1996-2006, 1.1 linear ft
Compiled by the Kellen Archives staff between 1996 and 2006, this index lists publications that discuss the New York School of Art, which later became Parsons School of Design, and artists associated with the school either as students or instructors between the time of its founding in 1896 until 1912. Photocopies of the relevant pages from the indexed publications are available upon request.

New School Archives and Special Collections

New School photograph collection

1920s-1990s, 9 linear ft
This collection primarily consists of photographs of New School students, faculty, administrators, buildings, class sessions, student life, and events. While the photographs span the period between 1933 and 1984, most of the photographs are concentrated between the 1940s and the 1970s.
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New School Archives and Special Collections

Exhibitions and public programs collection

1964-2011, 5.6 linear ft
Contains printed materials related to exhibitions and public programs, such as lectures, readings and conferences, held at, sponsored by, or produced in cooperation with The New School and its divisions and departments, including the Vera List Center and the Sheila Johnson Design Center. Materials include catalogs, invitations, and announcements. For student and faculty exhibitions sponsored by specific academic departments at Parsons School of Design, see relevant records of Parsons School of Design Academic Departments, Programs and Schools.

New School Art Center

New School Art Center records

1956-1975, 6 linear ft
The New School Art Center was established in the fall of 1960 with a donation from the Albert J. List Foundation, and remained in operation until around 1977. Directed throughout its existence by Paul Mocsanyi, the Center's programs reflected the New School's founding commitment to engage provocative subjects, using art to explore contemporary political and social issues. Mocsanyi's files also document the founding of the Collectors Institute, a membership organization for private collectors established in 1973. Materials include exhibition catalogs, artist files, press coverage, posters, fliers and other publicity, administrative correspondence, and photographs, as well as the files of Paul Mocsanyi.

New School Master of Fine Arts in Creative Writing Program

New School Creative Writing (MFA) Program theses

1998-2011, 23.1 linear ft
This record group is comprised of theses in print and electronic formats submitted to the MFA Writing Program as part of graduation requirements. The program's four concentrations -- fiction, non-fiction, poetry, and writing for children -- are represented. Many of the theses consist of two parts, a work reflecting the student's concentration and a "literature project" for which the student conducted scholarly, analytical research.
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Norell, Norman

Norman Norell collection

1941-1974, 13 linear ft
Norman Norell (1900-1972) was the first American fashion designer to compete successfully with French couture. In 1943, he received the first Coty American Fashion Critics Award, and in 1956 he was inducted into the Coty Hall of Fame. Norell served as a visiting critic at Parsons School of Design from 1943 to 1972. The collection includes awards, biographical material, clippings, fashion sketches, photographs, publicity scrapbooks, and five examples of Norell's clothing.

O'Neal, Hank

Hank O'Neal Shadow Man photographic prints

photographed 1982, printed 2013, 3 folders
Seven black and white photographic prints by New York-based photographer Hank O'Neal, from a series documenting artist Richard Hambleton's Shadow Man paintings, which were painted on the walls of buildings around Manhattan's East Village in 1981 and 1982.

Odom, William Macdougal

William Odom collection of book endpapers

before 1942, 2.8 linear ft
William Odom (1884?-1942) attended the New York School of Art (later, Parsons School of Design) around 1909. He returned to teach at Parsons for many years, eventually heading the department of Interior Design, and, in 1930, succeeding Frank Alvah Parsons as president of the school. In 1930, Odom succeeded Frank Alvah Parsons as president of the New York School of Fine and Applied Art. He served in this capacity until his death. The collection consists of Odom's research collection of decorative book endpapers.
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Olliver, Jeanette

Jeanette Olliver student work

1941-1943, 0.3 linear ft
The collection consists of Jeanette Olliver's student work in the form of lecture notes, detail sketches and course materials, representing her work in the Parsons Interior Architecture and Decoration Department in the early 1940s.

Orrick, Mildred

Mildred Orrick fashion and costume sketches

circa 1928-1962, 2.1 linear ft
Fashion designer Mildred Orrick (1906-1994) graduated from the New York School of Fine and Applied Art (later, Parsons School for Design) in 1928 and went on to a career as a fashion and costume designer and illustrator, and designed part of the Futurama exhibition at the 1939 New York World's Fair. Orrick was a visiting critic at Parsons from 1947 to 1962. The collection consists of Orrick's fashion and theater costume sketches, 1920s-1950s. Additional Orrick sketches may be found in the Kellen Design Archives' Claire McCardell sketch collection.

Parsons School of Design

Parsons School of Design academic departments, programs and schools collection (pre-2009 accessions)

1914-2009, 26 linear ft
Collection contains materials created by academic departments of Parsons School of Design. In addition to documentation of Parsons' main campus in New York City, Includes materials originating from overseas facilities and affiliate schools, such as Otis Art Institute (California), Paris Ateliers/Parsons Paris, and Altos de Chavon (Dominican Republic).
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Parsons School of Design

Parsons School of Design photograph collection (pre-2008 accessions)

circa 1920s-2003, 3.2 linear ft
Includes 1,425 photographs, contact sheets and negatives documenting Parsons student and campus life, including exhibitions, award and fashion shows, guest lectures, field trips, and campus construction projects.

Parsons School of Design

Parsons School of Design course catalog collection

1896-2012, 9 linear ft
The Parsons course catalogs collection consists of publications from Parsons New School of Design and its affiliate programs, including catalogs for overseas schools, and continuing education and AAS programs. Catalogs include information regarding pedagogy objectives, school policies and admissions requirements, departmental and course descriptions, faculty and administration rosters, facilities, fees, and examples of student work. Materials for the years 1896-1912 consists primarily of photocopies of print advertisements for the Chase School of Art (which became the New York School of Art, then the New York School of Fine and Applied Art, and, later, Parsons School of Design).

Parsons School of Design

Parsons School of Design course description collection

1984-2006, 1.4 linear ft
Consists of photocopied course description packets produced by the Registrar's Office for classes offered at Parsons School of Design. Packets include information regarding class schedules, instructors, credit hours, degree requirements, and curriculum.
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Parsons School of Design

Parsons School of Design marketing and promotional materials collection

1913-2011, 3.2 linear ft
Printed publicity materials including but not limited to circulars, mailers, promotional booklets and pamphlets, and postcards generally advertising Parsons School of Design, or a particular course or program of study not connected to a specific department.

Parsons School of Design

Parsons School of Design handbooks and orientation materials collection (pre-2008 accessions)

1968-2007, undated, 3.3 linear ft
Contains handbooks and guides issued by the administration of Parsons School of Design and The New School to familiarize Parsons faculty, students, and students' families with school regulations, policies, and procedures. Also includes materials designed to acquaint students with aspects of living and studying in New York City.

Parsons School of Design

Parsons School of Design poster collection (pre-2007)

1927-2006, 22.3 linear ft
Contains 236 posters created for academic departments and administrative offices of Parsons The New School for Design, including promotional posters for summer sessions and study abroad programs, recruiting by specific departments, and publicity for exhibitions, public programs, and internship fairs. With the exception of a 1927 poster advertising a dance, the series does not contain any material created prior to 1956.
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Parsons School of Design

Fashion Focus Workshop audio recordings

1984-1985, 21 interviews
Offered annually during spring semester throughout the 1980s, the Fashion Focus workshops offered advanced photography students an opportunity to meet and hear from fashion photographers, editors, agents, makeup artists, and hair stylists. The 21 recordings in this collection include lectures from 1984 and 1985. Lecturers include Rebecca Blake, Ann Blevens, Dan Brennan, David Brown, Knut Bry, Christiaan (Christiaan Houtenbos), Antony Clavet, Wendy Goodman, Bethann Hardison, Douglas Hopkins, Lucille Khornak, Klaus Laubmayer, Linda Mason, James Moore, Xavier Moreau, Helmut Newton, Johno du Plessis, David Seidner, Walter Thomas, Albert Watson, and James Wojcik. In addition to the Fashion Focus workshops, Advertising, Fine Art, and Photojournalism workshops were offered. These workshops were primarily targeted at continuing education students, rather than undergraduates, and predate the formation of the Photography master's degree program at Parsons.

Parsons School of Design

Focus Photography lecture series audio recordings

1982-1985, 38 lectures
The Focus Photography lectures consist of presentations by working photographers at Parsons School of Design, often showing slides while offering anecdotes about their experiences in the field, highlighting techniques employed, personal and professional challenges, and career trajectories. Lecturers include Dmitri Baltermants, Ross Baughman, Harry Benson, Arthur Deresian, Harry Dawson, Dan Dry, John Durniak, Claudio Edinger, David Eitlinger, Charles Gatewood, Leslie Goldman, James Hamilton, Charles Harbutt, Gregory Heisler, Walter Heun, Abigail Heyman, George Holz, Jose Lopez, Mary Ellen Mark, Keith McManus, Susan Meiselas, Michael O'Brien, John Loengard, Sylvia Plachy, Arthur Rothstein, Richard Sandler, Chiang Ning Sheng, Douglas Vann, and Alex Webb. In addition to the lectures by individual photographers, there are several panels, including a panel on Afghanistan led by Jim Sheldon, a street photography panel led by Ben Fernandez (who started the Photography Department at Parsons and founded the Focus series), with Angel Franco and Helinda; and a panel on Roy Stryker held at the International Center for Photography.

Parsons School of Design

Parsons School of Design Advanced Research Seminar student manifestoes

2016 December, 0.8 linear feet
Collection consists of twenty-three student projects created as a final assignment for Professor Esther Choi's "Advanced Reasearch Seminar: Constructed Environments" during the fall 2016 semester. All students were undergraduates enrolled in The New School's Parsons School of Design, primarily in architecture, interior design, and product design programs. The projects take the form of design manifestoes, combining text, images, and different forms of bindings, materials and presentation.
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Parsons School of Design

Parsons School of Design administrative and other offices collection (pre-2008 accessions)

1909-2007 (bulk 1973-1999), 17 linear ft
Predominantly comprised of records produced by the Development Office, these papers document fund raising initiatives, special programs, events, and alumni reunion plans. Other offices represented in this group are Admissions, Alumni Relations, Career Services, Public Relations, and Publication Design, Special Events, and Student Council publications. Also includes provisional charter for the New York School of Fine and Applied Art, 1909.

Parsons School of Design

Parsons School of Design slide collection

circa 1961-1996, 7 linear ft
Consists of thousands of slides (primarily 1970s through the '90s) documenting Parsons student and campus life, including exhibitions, award and fashion shows, guest lectures, field trips, and campus construction projects. Approximately one third of the slides represent the Fashion Design Department-related activities. (Inventory available -- please contact archivist@newschool.edu)

Parsons School of Design. Alumni Association.

Parsons School of Design Alumni Association records

1920-1970, 16 linear ft
The Parsons School of Design Alumni Association was incorporated in 1952 and continued until Parsons School of Design merged into the New School for Social Research in 1970. Records contain correspondence, financial records, minutes, photographic materials, printed materials, scrapbooks of clippings and subject files. Also includes documents generated by earlier alumni associations that the Alumni Association incorporated into its working files.
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Parsons School of Design. Lighting Design program.

Parsons School of Design MFA Lighting Design program theses

1987-1994, 2006-2015, 201 theses
Collection consists of theses written by students in the Parsons School of Design MFA Lighting Design program.

Parsons School of Design. Office of the Dean

David C. Levy records

1952-1990, 7 linear ft
David Corcos Levy served as dean of Parsons School of Design from 1970 until 1989. The bulk of these records were generated between 1970 and 1984, after the merger of Parsons and the New School for Social Research, and consist of memos, correspondence, reports, and subject files related to Levy's administrative tenure. Correspondents include a range of New School and Parsons administrators, including New School president John R. Everett; New School dean Allen Austill; Albert Landa; Oscar Kolin, chair of the Helena Rubinstein Foundation and a member of the Parsons Board of Overseers; and Neil Hoffman, dean of the Otis Art Institute of Parsons School of Design. Frequent faculty correspondents include Martica Sawin, Mary Ann Scherr, John Russo, and Irwin Touster. Categories and subjects represented herein include developing and implementing new degree programs; the process of merging academic institutions, including the Otis Art Institute in Los Angeles; faculty relations and unionization; accreditation; program and department establishment and design; and fundraising activities. Also found here are materials created by the Parsons Board of Trustees and, after the merger, the New School Board of Overseers.

Parsons School of Design. Office of the Dean

Lesley Cadman records

1976-2007 (bulk 1982-2001), 3.3 linear ft
The Lesley Cadman records were created or received by Lesley Cadman during her term as vice dean of Parsons School of Design. Some records pre-date Cadman's arrival at Parsons.
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Parsons School of Design. Office of the Dean

Charles S. Olton records

1974-1999, 7 linear ft
Consists of records created and received by Charles S. Olton, dean of Parsons School of Design from 1989 until 1997. Includes subject files on committees, departments and programs, events, individuals, international projects, and general administrative issues. Some files are restricted. Please email archivist@newschool.edu for details.

Parsons the New School for Design

Laura Johnson collection

1958-1998, 0.4 linear ft
Laura Johnson (died 2002) was a New York City socialite and wife of Saks Fifth Avenue executive F. Raymond Johnson. The collection is primarily comprised of photographic prints and press clippings documenting her extensive wardrobe of couture clothing and active social life between the 1950s and late 1990s.

Parsons the New School for Design

Radical Shifts: Reshaping the Interior at Parsons (1955-1985) oral history project

2010, 5.2 gb
The oral histories comprising this collection were conducted in the fall and winter of 2010 in preparation for the exhibit, Radical Shifts: Reshaping the Interior at Parsons, 1955-1985, with the goal of recording a range of perspectives on the interior and environmental design departments at Parsons School of Design in the 1960s and 1970s. During this period, Parsons' longstanding and famous interior design program completely transformed, adopting a more experimental and socially engaged program of study in the newly-created Environmental Design Department.
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Parsons the New School for Design. Adam and Sophie Gimbel Design Library.

Fashion print scrapbook collection

circa 1800-1913, 25.6 linear ft
Consists of 19 scrapbooks containing more than 10,000 prints of fashion illustrations produced between the early 1800s and 1913. The prints primarily depict men's, women's, and children's clothing and accessories, with a small number of images depicting theatrical costumes, architectural and sculptural details, and textile designs. One scrapbook contains swatches of French and Asian textiles. Many of the images were issued originally as portfolio prints, others cut from books and periodicals, such as Graham's Magazine and Godey's Lady's Book and Magazine. The majority of the earlier prints are of French origin.

Parsons the New School for Design. Fashion Design Dept.

Parsons School of Design Fashion Design Department records (pre-2008 accessions)

1941-2008, undated, 148 linear ft
Contains the records of the Fashion Design Department of Parsons The New School for Design. Records include course syllabi and descriptions, look books, clippings scrapbooks, student work, and annual fashion benefit planning records, photographs, and programs. A name index for searching Parsons alumni and faculty in the clippings scrapbooks may be found at http://guides.library.newschool.edu/index.

Parsons The New School for Design. Illustration Department

Parsons School of Design Illustration Department zine collection

1983-2011 (bulk 2000-2011), 3 linear ft
The Parsons School of Design Illustration Department compiled this collection of approximately 175 zines, little magazines, and other illustrated limited run publications.
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Parsons, Frank Alvah

Frank Alvah Parsons correspondence and tribute by James Wilfrid Kerr

1925-1930, 0.1 linear ft
The collection contains correspondence from Frank Alvah Parsons, president of the New York School of Fine and Applied Art (later, Parsons School of Design), to alumni James Wilfrid Kerr and Rose Netzorg Kerr, in addition to a short manuscript written by James Wilfrid Kerr upon Parsons' death. The tribute relates Kerr's experiences as a World War One veteran studying art under Parsons' tutelage.

Parsons, Frank Alvah

Frank Alvah Parsons lectures on art and prints of period rooms

1917-1922, 1.8 linear ft
Frank Alvah Parsons (1866-1930) began as an instructor at the New York School of Art in 1904. In 1911 he became director, renaming the school the New York School of Fine and Applied Art to reflect his reorientation of the institution's focus toward the practical design disciplines. The school was later renamed to honor Parsons' leadership. The collection is comprised of published editions of 21 of Parsons' lectures on art, and includes prints of period rooms he used to illustrate his lectures.

Pellino, Anthony

Anthony Pellino student work

1982-1986, 1.5 linear ft
The collection consists of examples of Anthony Pellino's student art and design work, the bulk of which was completed in 1983, in his first year at Parsons. The notes that appear throughout the collection guide were compiled from notes made by Pellino at the time that he donated his work to the New School Archives.
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Pisano, Ronald G.

Ronald G. Pisano project records for the William Merritt Chase catalogue raisonné

1896-2011, 12 linear ft
These records consist of files compiled and produced during the more than thirty years of research and writing that culminated in the publication of the Complete Catalogue of Known and Documented Work by William Merritt Chase (1849–1916), published in four volumes by Yale University Press between 2006 and 2010. The project was begun by Ronald G. Pisano (1948-2000) and completed by D. Frederick Baker and Carolyn Lane after Pisano's death. Files include correspondence with auction houses, museums, galleries, libraries, archives, and individual owners of Chase work; authentication reports; photographs of Chase work; exhibition and auction records; news clippings and articles by and about Chase; and photographs and correspondence from Chase's lifetime (mostly obtained as photocopies from other institutions).

Porges, Lucie, 1926-

Lucie Porges fashion design papers

1950-2011, 9.1 linear feet
The Lucie Porges fashion design papers include biographical materials, fashion sketches, fashion illustrations and fashion photographs, and teaching records. It is of a primarily professional nature, with little documentation of Porges's personal life. The primary activities documented are Porges's fashion design work for Pauline Trigère and her teaching activities at Parsons School of Design.

Randall, Sunbeam

Sunbeam Randall student work

1948-1993, 0.5 linear ft
Sunbeam "Sunny" Randall (1898-1993) graduated from Parsons School of Design Interior Design Department in 1951 and worked as a professional decorator. The collection includes course materials, furniture and decorative style sketches, class notes, and a scrapbook documenting Randall's art tour of Europe as a Parsons student in 1950.
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Reed, Marion

Marion Reed student notebook

1927, 0.2 linear ft
A student notebook kept by Marion Reed, who attended Parsons' Paris atelier in the summer of 1927. The notebook contains lecture notes, postcards and class handouts.

Rey, Luis A.

Luis Rey student work

1964-1967, 0.5 linear ft
Luis Rey graduated from the Interior Design Department of Parsons School of Design in 1967. The collection consists of student projects, primarily in the form of drawings and plans, executed by Rey for his courses between 1964 and 1967.

Robert J. Milano Graduate School of Management and Urban Policy

Robert J. Milano Graduate School of Management and Urban Professions student papers

1978-2005, undated, 6.6 linear feet
Collection consists exclusively of student-authored research papers, organized by program. Most papers feature a single author, except for papers in the Urban Affairs and Policy Analysis series, which are written by a team and typically concern a topic of relevance to New York City.
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Robert J. Milano Graduate School of Management and Urban Policy

Milano School of International Affairs, Management and Urban Policy collection

1966-2013, 4.8 linear ft
Includes materials created by the school now known as Milano as well as by its predecessor entities, the Center for New York City Affairs, the J. M. Kaplan Center, etc. Includes Community Development Research Center (CDRC) papers and Milano Management Information Exchange papers, among other materials.

Roman, Klara G.

Maurice Edwards papers documenting the work of graphologist Klara G. Roman

1949-1973, 0.3 linear ft
These files were kept by Maurice Edwards in his role as assistant to Klara Roman and as posthumous editor, with Rose Wolfson, of Roman's Encyclopedia of the Written Word. The collection includes one file of publicity and materials documenting other ventures of Edwards, in particular his involvement with the Cubiculo Arts Center.

Rummel, Jessica

Jessica Rummel interior decoration working files

1920s-1960s, 3.9 linear ft
Ranging from the 1920s through the 1960s, the Jessica Rummel interior decoration working files consist of the files Rummel kept for her New York City-based interior decoration business, which operated during at least part of this period as Harding & Rummel, Inc. The files, which Rummel arranged under subjects such as "Fireplace equipment," "Quilting," "Decorative motifs," and "Egyptian," include small drawings, watercolors, site plans, and tracings of decorative elements, furniture, textiles, and interior layouts produced by Rummel in the course of doing business. The collection also includes vendor literature, magazine and catalog clippings, postcards, price lists, and business correspondence. Rummel was on the faculty of the New York School of Fine and Applied Art (later, Parsons The New School for Design) in the Interior Architecture and Decoration Department from 1921 through 1934.
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Russo, John J.

John Russo graphic design work

1955-1983, 0.3 linear ft
John Russo (1920-2012) graduated from Parsons School of Design in 1942 and taught at the school from 1946 to 1985. The collection includes printed examples of Russo's whimsical graphics, including fliers, invitations, and posters. More samples of Russo's design work will also be found in the Parsons marketing and promotional materials record group (PC.05.03.01), in the Parsons posters collection (PC.05.07.01) and in the Parsons School of Design Alumni Association records (PC.03.02.01).

Saks & Company (New York, N.Y.)

Saks Fifth Avenue fashion publicity records

1954-1974, 30 linear ft
The collection is comprised of 75 binders of fashion photographs and press materials promoting Saks Fifth Avenue’s clothing lines between 1954 and 1974, including Sophie Gimbel Originals, ready to wear and custom collections from 1954 to 1967. In addition to providing a rich visual record of the dramatic evolution of style over the course of two decades, the photographs, reproductions of fashion sketch sheets, press releases and other materials shed light on Saks' fashion business development and marketing strategy under the leadership of Helen O'Hagan, who succeeded Grace de Mun as Saks publicity director.

Saks & Company (New York, N.Y.)

Fashion runway slide collection

1990-2000, 8.8 linear ft
Saks Fifth Avenue compiled this collection of more than 1,100 slides depicting fashion runway shows during the 1990s. The 35 mm slides depict haute couture and ready-to-wear collections from an international array of fashion designers and houses. Designers represented in the collection include Adrienne Vittadini, Bill Blass, Calvin Klein, Dolce & Gabbana, Issey Miyake, Max Mara, Michael Kors, Oscar de la Renta, Ralph Lauren, Rifat Ozbek, Versace, Vivienne Westwood, Yves Saint-Laurent, and many others. Former Parsons School of Design students include but are not limited to Marc Jacobs, Donna Karan, Badgley Mischka, Isaac Mizrahi, Charlotte Neuville, Anna Sui, and Yeohlee Teng. Dan and Corina Lecca, Chris Moore, and Dino Scrimali are some of the photographers whose work is represented in the collection.
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Saks & Company (New York, N.Y.)

Saks News and Saks Fifth Avenue News magazines

1952-1976, 0.2 linear ft
Consists of eight issues of a magazine produced for the staff and associates of Saks Fifth Avenue. There are four issues of Saks News, 1952-53; and four issues of Saks Fifth Ave. News, 1969, 1974, 1976. The 1969 issue honors Adam Gimbel, long-time President of Saks, upon his retirement.

Sammaritano, Francesca

Francesca Sammaritano student work and teaching examples

1987-2006, 2.9 linear ft
The collection is comprised of two student project notebooks maintained by Francesca Sammaritano while she was a Fashion BFA student at Parsons School of Design in the late 1980s and two examples of student work created in classes Sammaritano taught as a professor. Sammaritano's student work consists of a two-volume pattern drafting notebook created for a class taught by Fashion Design Department faculty member Marie Marino. Another notebook features notes and pattern pieces for creating a notched collar jacket and was maintained for a senior class taught by Theresa Chiappetta. Sammaritano advises that she constructed a jacket based on the notebook and sold the resultant piece to her college roommate. These notebooks provide detailed instructions for a wide variety of sewing and pattern drafting techniques, along with both illustrated examples and three-dimensional fabric examples sewn by Sammaritano, including small skirts and partial pieces of full-sized jackets. The collection also includes two notebooks produced by Sammaritano's students, selected by Sammaritano as outstanding examples of student work. One notebook was created by junior Fay Chen Fitch in a design studio draping class Sammaritano taught in her first year as an adjunct professor. The second notebook is a thesis project completed by student Alejandra Kohara in April 2006. Fabric samples and envelopes containing full pattern sets are stored separately from the other components of each notebook. Through examples of both Sammaritano and her students’ work, this collection provides insight into the learning and teaching processes employed by Parsons students and professors in the 1980s, 1990s, and 2000s.

Schiller, Albert

Albert Schiller type pictures

1927-1964, 1.8 linear ft
Typographer Albert Schiller (1898-1970) created artworks using pre-cast metal type elements. The collection is comprised of 35 type pictures and printing samples featured in a 1976 exhibit at Parsons.
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Schuman, Burton

Burton Schuman student work

1947-1948, 1 linear ft
Completed by Burton Schuman while a student at Parsons School of Design in 1947-1948 for an advertising design class taught by Betty Carter, the collection includes sketches, illustrations and advertising designs.

Schürmann, Reiner

Reiner Schürmann papers

1958-1993, 5.2 linear feet
These papers document the work of Reiner Schürmann, from notes and material compiled as a student at Centre d'études du Saulchoir (le Saulchoir), his lectures at the New School and manuscripts of his published writings, as well as correspondence with publishers and colleagues.

Segal, Arthur

Arthur Segal woodcuts

1975 (from woodcuts created 1912-1919), 2 linear ft
The collection consists of 68 prints out of a set of 70 from woodcuts created by Romanian-born painter Arthur Segal (1875-1944) between 1912 and 1919. The prints, from Segal's original blocks, were made on handmade paper by William Carter, and published by Richard Nathanson.
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Skriloff, Allan

Allan Skriloff student work

1963-1966, 5.4 linear ft
The collection consists of art and design work executed by furniture and interior designer Allan Skriloff during his studies in Parsons School of Design's Interior Design Department.

Snitow, Ann Barr

Ann Snitow faculty records

1986-2012, 1 linear ft
Records kept by New School faculty member Ann Snitow, largely documenting her activities in connection with the evolving status of gender studies courses and programs at The New School at the graduate and undergraduate level.

Spiegel, Marty

Marty Spiegel student work

1973-1977, 0.2 linear ft
The collection is comprised of Marty Spiegel's student work for Parsons' Environmental Design Department, which he attended from 1973 to 1976. Consists of course materials, correspondence, drawings and sketches, and printed materials, as well as digital reproductions of 35mm slides of Spiegel's work.
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Stein, Walter

Walter Stein illustrations

1972-1978, 2.8 linear ft
Painter and illustrator Walter Stein (1924-1981) taught at Parsons School of Design from 1973 until his death. The collection consists of Stein's matted original watercolor illustrations, primarily depicting animals and plants, for the book, For Love of Her: Poems by Emily Dickinson, 1974.

Stowell, James Vinton

James Vinton Stowell sketch of Harry Baker

circa 1916, 0.1 linear ft
James Vinton Stowell graduated from the New York School of Fine and Applied Art (later, Parsons The New School for Design) in 1917 with an Advertising Design degree, and was employed by the school as a trade representive through the 1918-1919 academic year. The subject of the pencil sketch, titled "Portrait of 'Our Mr. Baker,'" is Harry B. Baker, who taught life drawing at the school from 1915 until his death in 1941. The sketch is accompanied by an envelope, written by an unidentified person identifying the artist, erroneously, as C. Vinton Stowell, with the title. The envelope also identifies the sketch as having been done in "1913(?)," which is probably incorrect.

Suhr, Henriette Granville

Henriette Granville Suhr papers

1949-2014 (bulk 1950-1976), 1.1 linear feet
The collection consists of photographic prints, press clippings, promotional materials and some correspondence, primarily documenting Granville's professional career in the 1950s. More than half of the collection consists of photographic prints of Granville's home furnishings showrooms at Bloomingdale's. The collection does not contain Granville's student work from Parsons School of Design or work from her early career at Jeanne Lanvin or Macy's. A small amount of correspondence with friends and colleagues offers only a glimpse into Granville's activities outside of her professional life.
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Suss, Eleanor Greta, 1919-

Eleanor Greta Suss student interior design renderings

1949, 2 illustrations
Consists of two drawings of period rooms rendered in pen and ink and watercolor.

Tee, Margaret McKay

Margaret McKay Tee papers

1908-1993, 0.1 linear ft
Margaret McKay Tee (1882-1955) came to New York from Cripple Creek, Colorado in 1902 to attend Cooper Union. Frank Alvah Parsons, whom she met at Columbia Teacher's College, later hired Tee as a student instructor at the New York School of Art (soon thereafter renamed the New York School of Fine and Applied Art). After moving back to Colorado, Tee carried on a correspondence with Parsons for many years. Tee's papers include correspondence from Frank Alvah Parsons, photographs of Tee's paintings, and an autobiographical essay in which Tee describes her upbringing in the West, and her experiences as a young art student in New York City.

The New School Art Collection

New School Art Collection records

1987-2003, 3.8 linear ft
The collection consists primarily of the files of Kathleen Goncharov, curator of the New School Art Collection from 1987 to 2000. Some committee files here were created in 1986 and a few files date from after 2000. Those files dating after the summer of 2000 were likely not created by Goncharov; they may have been created by her successor, Stefano Basilico. There are two main series, Administration and governance, and Programming. The first series contains materials related to New School Art Collection policies and committees, the acquisition and sale of artwork, inventories and installation of work, collaborations with the Vera List Center for Art and Politics, grant proposals, and other administrative files. The series also includes files related to special programs and events from around the New School. The Programming series contains documentation of events, talks, exhibitions and public programs initiated and organized by Goncharov at the New School. The series also includes documentation of activities proposed by Goncharov and Sondra Farganis for the DIAL (Distance Instruction for Adult Learning) platform.
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Truex, Van Day

Drawing of Nude by Van Day Truex

before 1980, 1 drawing
A drawing of a male nude by Parsons School of Design alumnus and president Van Day Truex, formerly owned by Harry and Dorothy Kneedler Lawenda.

Ullman, Eugene Paul

Eugene Paul Ullman papers

circa 1880-2000, 11.4 linear ft
Eugene Paul Ullman (1877-1953), was an American painter of landscapes, portraits, and still lifes. Ullman studied and later taught with artist William Merritt Chase during the earliest years of the Chase School, predecessor school to what became Parsons School of Design. Ullman then moved from New York to Paris, where he briefly joined James Abbott McNeil Whistler's atelier and began receiving major awards for his work. The collection consists of artwork in the form of sketches and photographs of paintings, correspondence, exhibition catalogs, a scrapbook, and unpublished essay manuscripts. Much of the material is annotated by Ullman's youngest son, Pierre L. Ullman. Also included are files documenting the life of an older son, Paul Ullman, who was killed in France during the Second World War.

Vidich, Arthur J.

Arthur J. Vidich papers

1940-2005, 16.8 linear ft
Arthur J. Vidich (1922-2006) was a long-term member of the faculty at the New School for Social Research as a professor of Sociology (1960-1991). He published dozens of books, papers, and edited anthologies, notably Small Town in Mass Society: Class, Power, and Religion in a Rural Community (1958). This collection contains material documenting his teaching, writing, public lectures, and other academic and professional activities that spans his entire career, from graduate school at Harvard until his death in 2006. Included are correspondence with colleagues, friends, and presses; manuscript and typescript drafts of his writings; conference and lecture materials; subject files relating to his colleagues and personal life; and items pertaining to his teaching at the New School and other institutions, as well as his role as chair of the New School Sociology Department; photographs; and audio and video recordings of lectures, talks, and courses.
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Vollbracht, Michaele

Michaele Vollbracht fashion illustrations

circa 1972-1986, 16.2 linear ft
Fashion illustrator Michaele Vollbracht (1947- ) graduated from Parsons in 1968, and has since returned periodically as a visiting critic. After working as a design assistant for Geoffrey Beene, Donald Brooks, and Norman Norell, Vollbracht turned to fashion illustration and portraiture. In 1985 Vollbracht published Nothing Sacred, an illustrated memoir, and in 2000 Parsons mounted an exhibition of his work to celebrate the release of the updated version of the book. The bulk of the collection is comprised of fashion illustrations and designer portraits Vollbracht created for a 1972 fashion show celebrating Parsons School of Design's 75th anniversary and the establishment of the school's Gimbel Library. Also includes a sketch of Vollbracht's iconic Bloomingdale's shopping bag of 1975.

Wagenseller, Carolyn Nesbitt

Carolyn Nesbitt Wagenseller student work

1960-1963, 0.4 linear ft
The collection consists primarily of lecture notes and course-related notebooks maintained by designer Carolyn Nesbitt Wagenseller ('63) during her studies in Parsons School of Design's Interior Design Department.

Waldeck, Arthur

Arthur Waldeck papers

circa 1925-1965, 2.2 linear feet
Arthur Waldeck (1899-1965) was an important voice teacher in New York City in the 1940s and 1950s. He maintained a studio at Carnegie Hall, and was notoriously systematic in his pedagogical approach. The collection consists of Waldeck's letters to and from renowned music theorist Heinrich Schenker (1868-1935), as well as Waldeck's translations into English and heavily annotated versions of Schenker's work.
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Waldron, Raymond

Raymond Waldron papers

1939-1994, 4 linear ft
Raymond S. Waldron, Jr. (1913-2002) attended the New York School of Fine and Applied Art (later, Parsons School of Design) from 1938-1941. After serving in World War II, Waldron worked for Lord & Taylor. In 1965, he established his own interior decoration firm. The Raymond Waldron papers include his student work, a travel sketchbook, and professional files. Work from Waldron's years at New York School of Fine and Applied Art include notebooks with graded assignments, instructor handouts, sketches, and tracings; and larger-format renderings of European interiors and sites. A travel sketchbook reflects Waldron's later design studies in New York, France and Italy. Materials from Waldron's professional career include project files, design research, stereo slides of the Blair House, among other projects, and publicity for his business.

Walker, Joset

Joset Walker fashion design scrapbooks

circa 1932-1988, 4.6 linear ft
French-born Joset Walker (1902-1999) graduated from the New York School of Fine and Applied Art (later, Parsons School of Design) in 1928, and soon became a leading designer of ready-to-wear clothing for Saks Fifth Avenue's Theatrical Department. In 1932, Walker served briefly as head costume designer for RKO Pictures, working under the name Josette De Lima. She returned to New York and began designing for wholesale manufacturer David M. Goodstein in 1940, before leaving the company to found Joset Walker Designs. Often incorporating Mexican and Guatamalan textiles, colors and styles into her designs for the American market, Walker reached the pinnacle of her career in the 1940s and '50s as a designer of casual, feminine clothing for women. The Joset Walker collection includes pages from Walker's scrapbooks, largely comprised of clippings of advertisements for her designs, but also including publicity, photographs of department store window displays, and ephemera documenting Walker's career.

Weinberg, Chester

Chester Weinberg publicity scrapbook and sketch

1953-197, 1.8 linear ft
Chester Weinberg (1931-1985) graduated from Parsons School of Design in 1951 and served as a visiting critic and lecturer on fashion design at the school from 1955 to 1985. Weinberg rose to fame in the 1960s, establishing his own label, Chester Weinberg Ltd. in 1966. He later became a consultant and was appointed design director of Calvin Klein jeans in 1981. The collection consists of a scrapbook containing news clippings, fashion print ads, and photographs primarily chronicling Weinberg’s career from 1966 until 1975, and one fashion sketch.
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Weitz, John

John Weitz papers

1945-1998, 70 linear ft
A leading figure in the development of American ready-to-wear clothing, John Weitz (1923-2002) established one of the first American signature menswear lines. Through various licensing arrangements combined with self-referential advertising campaigns, he established an international consumer base. In addition to fashion design, Weitz pursued an array of other interests, becoming a successful race car driver, yachtsman, bestselling author and photographer. Weitz was a visiting lecturer at Parsons School of Design between 1975 and 1995. The collection includes sketches and design drawings, exhibition files, scrapbooks, newspaper and magazine clippings, publications, photographs, and audiovisual recordings of promotional campaigns, fashion shows and television commercials.

Wheeler, Cleora Clark

Cleora Clark Wheeler student notebook and bookplates

1910-1960, 0.2 linear ft
Notes taken by Cleora Clark Wheeler during lectures given by Frank Alvah Parsons at the New York School of Fine and Applied Art (later, Parsons School of Design), which Wheeler attended in 1912-1913. Also included is a set of bookplates, which was the focus of Wheeler's later career.

Wormley, Edward

Edward Wormley papers

circa 1908-1991, 19.2 linear ft
Edward Wormley (1907-1995) is often cited as one of the top 20th century designers of American modernist furniture. Beginning at the Dunbar Furniture Company at the age of 23, Wormley eventually became sole designer for the company and maintained a partnership Dunbar for more than three decades. In the 1950s, many of his designs received Good Design designations at the annual Chicago Merchandise Mart/Museum of Modern Art exhibition. Wormley taught at Parsons School of Design between 1952 and 1970. The collection includes photographs, slides, biographical materials, news clippings, technical drawings, Dunbar catalogs, and several original sketches.
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Wunderlich, Frieda, 1884-1965

Frieda Wunderlich papers

circa 1912-1960s, 1.9 linear ft
Frieda Wunderlich (b.1884-d.1965) was a member of the University-in-Exile (also known as the Graduate Faculty, later known as the New School for Social Research). A professor, political representative and editor of an anti-Nazi magazine in her native Germany, Wunderlich came to the New School in 1933 and continued her research on social problems, labor markets and resource allocation, while teaching into the 1950s. The collection consists of files and topically-themed notebooks, presumably labeled by Wunderlich, with identifications such as, Welf[are] State War, Coll[ective] Barg[aining]/Labor Law/NLRB [National Labor Relations Board], and Labor in Politics.

Zambonini, Giuseppe

Giuseppe Zambonini papers

1949-1999, 56 linear ft
Giuseppe Zambonini (1942-1990) was an Italian-born and, for much of his life, New York-based, architect, interior designer, theater director, and teacher. This collection contains project material in a variety of mediums pertaining to Zambonini’s architectural and design career, as well as items related to his tenure as dean of the New York School of Interior Design (NYSID), founder and head of the Open Atelier of Design (OAD), and director of the architecture program at the Georgia Institute of Technology. Dating primarily from the 1960s through the late-1980s, materials in the collection include sketches, drawings, plans, and blueprints of Zambonini’s architecture and interior design projects, as well as photographs of the building sites and finished work. Also included are correspondence, photographs, and printed material related to the institutional functioning and teaching at NYSID and OAD. Zambonini’s work as a theater producer and director in Italy is represented by photographs, scripts, audio, and a variety of posters and programs. Finally, the collection contains a small selection of Zambonini’s writings and lectures.
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